Deception

“Are you free tonight?”

A simple enough question, but how Jonathan McQuarry (EWAN McGREGOR) answers
it will change his life forever. A corporate auditor adrift in a sea of New York’s power elite,
Jonathan’s work is his entire life. But a chance meeting with Wyatt Bose (HUGH JACKMAN),
a charismatic corporate lawyer, introduces Jonathan to a decadent playground for Manhattan’s
executive upper crust. For these power brokers, whose eighteen-hour workdays leave no time
for a personal life, there’s “The List” – a sex club, of sorts, where the right cell-phone number
and four simple words (“Are you free tonight?”) can lead to an evening’s sexual fulfillment.

It’s a world of “intimacy without intricacy,” as Jonathan’s first conquest (or vice versa)
explains to him, and through The List Jonathan discovers a side of himself that he didn’t know
existed. But an affair with a ravishing and mysterious stranger known to Jonathan only by her
first initial ‘S’ (MICHELLE WILLIAMS), will expose him to yet another world he never
imagined – one of betrayal, treachery and murder.

DECEPTION’s thriller elements, and the way they are tied to its theme of solitude,
intrigued director Marcel Langenegger. “It was such a great, smart script, with intriguing mind
games. And Jonathan is so susceptible to such things, I think, because he’s so lonely. You can
really feel his loneliness.”

Screenwriter Mark Bomback (Live Free or Die Hard) had first pitched DECEPTION to
producer Arnold Rifkin, over coffee. “I bought it before our cups were empty,” says Rifkin, who
was drawn to the thriller’s unconventional elements and characters. “The innocence of the story
really got to me,” Rifkin says. “This young man, Jonathan, leads a life of anonymity. There are
thousands and thousands of people like Jonathan, people who are cut off from others, who are
stuck being alone.”

Producer John Palermo sees DECEPTION as something of a throwback to an earlier era
of filmmaking. “I think the film is proof that thrillers can actually be character-driven stories,”
Palermo says, “with themes that are relevant and with characters you care about.”

Hugh Jackman, who stars as Wyatt Bose, a lawyer who pulls Jonathan out of his
psychological confinement, appreciated the story’s new take on the sexual thriller. “I thought
there was something very fresh about the script,” Jackman says. “It was smart and sexy, and it
takes you to a world that you never get to see. Many thrillers push credibility to the limit. But I
thought that this is something that could happen; this world could exist. Because even with our
cell phones and our Blackberrys people still feel disconnected and lonely, just like Jonathan.
He’s someone that people can relate to, and his journey in this movie is so terrific. He really
comes alive.”

Ewan McGregor, who plays Jonathan, agrees. “DECEPTION is a very well-crafted
story, and I was really struck by Jonathan and how he’s so cut off from life. That’s not the usual
sort of character to have at the heart of a thriller.”

McGregor embraced the role because Jonathan is a very untraditional protagonist. “For
one thing,” he notes, “people have conversations in his space like he’s not there. He’s someone
who’s so cut off from the world, who hasn’t allowed himself to feel emotional ties to people, that
when he falls for ‘S,’ I think he falls really hard. It’s quite a deep love story. In many respects,
playing Jonathan was like an unpeeling. It was like playing a flower opening up – different
levels of him becoming alive.”

McGregor notes that director Langenegger, too, connected with Jonathan’s journey.
“Marcel has talked a lot about this idea of Jonathan being born,” McGregor says. “Like him
becoming alive. And DECEPTION really is about the stages of that. Sometimes, through
terrible experiences you can grow, and I think the nightmare of what happens to Jonathan is what
allows him to come out on the other end, transformed. He’s kind of set free. It’s about him
coming to life, really.”

Life comes much easier to Jonathan’s new friend, Wyatt Bose. Hugh Jackman describes
the role as “a fairly Machiavellian character. He’s manipulative, smart, charming, enigmatic and
mysterious. Wyatt has the confidence that he owns the world. He’s the kind of guy you want to
be around.

Jackman, who also serves as a producer on the picture, was eager to explore the
character’s many facets – even completely unexpected ones. In one scene, Langenegger recalls,
he decided to give Jackman a bit of “indirect direction,” and so he suggested that Wyatt should

think of Jonathan as a cockroach. “Hugh took that little idea, and he used it to transform the
scene,” Langenegger says.

“All actors love to play shadier characters,” Jackman says. “And these are parts I don’t
get to play a lot. With Wyatt, you’re not quite sure what his motives are at any point in time, you
just have the feeling that, enticing and enigmatic as he is, you probably shouldn’t be going along
with him. It might lead to trouble.”

And so it does – for Jonathan and for the woman known to Jonathan only as “S.” “She
makes bad decisions because she’s with the wrong people,” says Michelle Williams. “She’s a
gypsy and a fly-by-night kind of girl. I’d never played anybody quite like her before, so ‘S’ was
a new challenge for me. ‘S’ is aggressive and confident and capable and sexual. These are all
things I haven’t really explored before. And then she comes into her own at the end of the film.
She has a self, and she has the promise of an altering love.”

Langenegger knew Williams was ‘S’ the first time they met. “She sat in front of me and
she was just raw,” he recalls. “I saw this vulnerability. She was so exposed and fragile, and yet
there was so much power. On the surface, the character seems like a standard femme fatale in a
thriller – the beautiful woman who is part of some kind of plot. But I wanted to give ‘S’ a
greater depth, add something that is not expected in a role like that. And Michelle’s vulnerability
is perfect for ‘S.’”

Landing Williams for the part wasn’t easy. “ I told her, ‘This is your role,’” says
Langenegger. “You meet Jonathan for the first time, and you’re like a teenager who’s just
discovered there’s something called love. This is why your character is so difficult and so
wonderful and so beautiful.’ And then she said, ‘Yeah, I’ll do it.’”

One role that Langenegger didn’t have to worry about casting for was the “character” of
New York City. As producer David Bushell puts it: “New York plays a lead character in
DECEPTION, and we all knew we had to film it here.” Though parts of the film are shot in
Madrid, around La Plaza Mayor and the Paseo del Prada, there’s no denying that New York
plays an essential part in DECEPTION.

Says Langenegger: “When we scouted for locations in, for example, offices or hotel
rooms, we tried to find places that also offered a view of the city that would isolate Jonathan. I
tried to find locations where we could see Jonathan in his glass box, and outside is Manhattan,
the beautiful world that he has not been a part of.”

To create a look that would capture the film’s sensuality, thrills and unconventional
characters, Langenegger and director of photography Dante Spinotti used Panavision’s new
Genesis digital video camera. It was a choice that initially spurred much debate – Langenegger
had wanted to shoot in film, while Spinotti preferred digital.

“It was interesting,” says David Bushell, “that we had this new-school, younger
filmmaker [Langenegger] who wanted to stick with film, the old technology, and this old-school,
giant of his profession [Spinotti] who was all for embracing the new, digital technology.”
Finally, the two reached a compromise: Langenegger and Spinotti decided to split the film,
roughly, into night and day. For the day, they would shoot film; for the night scenes, they shot
with Genesis. (In the end, they shot some of the day sequences with Genesis as well).

Spinotti explains his preference for the Genesis camera: “What the Genesis camera does
is capture the world of darkness and of night, so that we could really explore the visual world
that goes from evening into the next morning.”

Typically, when a scene is shot at night, the set is flooded with so much light, that it can
almost resemble daylight. The Genesis camera, however, works well using only available light.
“The Genesis has a much stronger sensitivity,” Spinotti explains, “so it can read in the shadows
much more than film does. Because of that, you can approach images in a different way. You can
capture the fascination of what already exists, without having to modify it. It makes the whole
film much more believable.”

Again mixing the “old” with the “new,” Spinotti and Langenegger used traditional Ziess
lenses with the Genesis camera. When shooting with film, they used newly-developed Prima
lenses. “We sort of took the edge off the digital image by using older lenses, and we tried to
shoot the film image as sharp as possible, with Prima lenses, to better match the digital image,”
Langenegger explains. “Our general idea was to get as close as possible to the fine grain of
70mm film.”

Acclaimed production designer Patrizia von Brandenstein and costume designer Sue
Gandy also made significant contributions to the film’s look. “The character of Jonathan works
at different companies every three or four days,” von Brandenstein says, “but he is never part of
the life of the corporation he’s visiting. So, in a sense, these offices are all the same. There are
subtle differences in levels of prosperity, I suppose, but in essence it is all just the ‘corporate
world.’ But when he discovers the wilder side of New York, through Wyatt, I wanted to show

how enticing it was to him, but also that it was dangerous. So that world is full of bright,
reflective surfaces and colors, but there is darkness underneath.”

Gandy, too, found herself trying to convey the differences between Jonathan’s two
worlds. “There are splashes of red here and there, plus splashes of blue and gold. The inspiration
for my clothing designs does come from Hitchcock films and film noir – using color only where
it can make a statement. Marcel showed me photographs of the city, of how he wanted things to
look. Lots of steely, New York cab colors, blood colors and vibrant blues.”

The result is a thriller that re-imagines the genre while simultaneously paying homage to
it. “What Marcel, Dante, and the entire team, have done,” says Jackman, “is give DECEPTION a
moody and intimate atmosphere. It’s almost dreamlike, in a way. It’s incredibly sexy, and the
whole film kind of seduces you. It doesn’t rush you, it’s not formulaic in that normal thriller
way. It just kind of draws you in.

“At the same time, it is a real roller-coaster ride. It’s smart, there are a lot of twists and
turns, and it takes you on one hell of a ride.”

ABOUT THE CAST

HUGH JACKMAN (Wyatt Bose) takes on more than one role with DECEPTION. In
addition to starring, Jackman, a partner in Seed Productions, a company he founded with John
Palermo and Deborra-lee Furness, serves as one of the film’s producers. DECEPTION is Seed’s
first feature production, with many future projects already in development.

An Australian native, Jackman made his first major U.S. film appearance as Wolverine in
the first installment of the X-Men franchise, a role he reprised in X2 and X-Men: The Last Stand.
He again takes on the role in X-Men Origins: Wolverine, due in theaters in 2009.

Jackman will also soon star opposite Nicole Kidman in Baz Luhrmann’s Australia, which
opens everywhere December 2008.

Recently, he starred in Darren Aronofsky’s The Fountain, Christopher Nolan’s The
Prestige, and Woody Allen’s Scoop. In addition, he lent his voice to the animated features
Happy Feet and Flushed Away. Other leading roles include Someone Like You, Swordfish, Van
Helsing, and Kate and Leopold, for which he received a 2002 Golden Globe nomination.

For his portrayal of the 1970s singer-songwriter Peter Allen in The Boy From Oz,
Jackman received the 2004 Tony Award® for Best Actor in a Musical, as well as the Drama
Desk, Drama League, Outer Critics Circle, and Theatre World awards.

Previous theater credits include Carousel at Carnegie Hall, Oklahoma! at the National
Theater in London (Olivier Award nomination), Sunset Boulevard (MO Award - Australia's
Tony Award) and Disney's Beauty and the Beast (MO Award nomination).

Jackman's career began in Australia in the independent films Paperback Hero and
Erskineville Kings (Australian Film Critics' Circle Best Actor award and The Australian Film
Institute Best Actor nomination). In 1999, he was named Australian Star of the Year at the
Australian Movie Convention.

EWAN McGREGOR (Jonathan McQuarry) is a multi-award winning actor who is
recognized for both his versatility and eclectic choice of roles.

He recently starred with Colin Farrell in the Woody Allen film, Cassandra’s Dream.
McGregor starred as Obi-Wan Kenobi in George Lucas’ second blockbuster Star Wars trilogy.
His recent film work also includes starring roles in Young Adam, the romantic comedy Down
With Love, Tim Burton’s fantasy Big Fish, the hit animated comedy Robots, The Island opposite
Scarlett Johansson, and Stay starring opposite Naomi Watts.

In 2001, he starred opposite Nicole Kidman in Baz Luhrmann’s extravagant,
groundbreaking film musical Moulin Rouge! McGregor was recognized with the London Film
Critics Circle Award, an Empire Award, and a Golden Globe® nomination for Best Actor. That
same year, McGregor co-starred in Ridley Scott’s harrowing war drama Black Hawk Down.

Born in Scotland, McGregor gained his first acting experience with the Perth Repertory
Theatre and later attended London’s Guildhall School of Music and Drama. Six months before
graduating, he won a leading role in Dennis Potter’s six-part BBC series Lipstick on Your Collar,
and has been working steadily ever since. In 1993 he made his feature film debut in Bill
Forsyth’s Being Human. The following year, McGregor earned widespread praise and won an
Empire Award for his performance in the thriller Shallow Grave, which marked his first
collaboration with director Danny Boyle. In 1996, he reunited with Boyle to star in the dark and
disturbing drama Trainspotting. McGregor’s wrenching portrayal of junkie Mark Renton

brought him international acclaim and many awards, including the London Film Critics Circle,
Empire, and BAFTA Scotland Awards for Best Actor.

McGregor’s early film credits include Emma, Brassed Off, Little Voice and Velvet
Goldmine.

In between film commitments he has returned to the stage with critical acclaim, starring
in the role of Sky Masterson in The Donmar’s production of Guys and Dolls in London’s West
End.

MICHELLE WILLIAMS (“S”) starred in Ang Lee's critically acclaimed drama
Brokeback Mountain. Her riveting performance as Ennis Del Mar’s long suffering wife earned
her a Broadcast Film Critics Association Award and an Academy Award® nomination, plus
nominations from SAG, HFPA's Golden Globe, and two BAFTA nominations. In 2005,
Williams was also honored by the Motion Picture Club as Female Star of Tomorrow.

More recently, she appeared in Todd Haynes’ biopic on Bob Dylan entitled I'm Not There.
She stars opposite Philip Seymour Hoffman in Synecdoche, New York, directed by Charlie
Kaufman. Also upcoming is Shutter Island, starring Leonardo DiCaprio, directed by Martin
Scorsese; Mammoth; and Incendiary, which premiered at the Sundance Film Festival.

In 2004, Williams shared a Screen Actors Guild Award nomination with her fellow actors
from Thomas McCarthy’s The Station Agent for Outstanding Performance by a Cast in a Motion
Picture. The film had previously earned the Audience Award at the 2003 Sundance Film
Festival, as well as a 2004 BAFTA award.

Williams’ film credits also include Julian Goldberger's drama The Hawk Is Dying opposite
Paul Giamatti and Michael Pitt, and Ethan Hawke’s The Hottest State, which premiered at the
2006 Venice and Toronto Film Festivals. Williams also starred in Wim Wenders' Land of
Plenty, which was in competition at the Venice Film Festival and won the UNESCO prize.

On stage, Williams received glowing reviews for her portrayal of Varya in Chekhov’s The
Cherry Orchard at the Williamstown Theatre Festival. Prior to that, she achieved critical acclaim
for her run in Mike Leigh's Smelling A Rat at the Samuel Beckett Theatre and her off-Broadway
debut in Killer Joe.

Williams' other film credits include Dan Harris' Imaginary Heroes, Richard Ledes' A Hole
in One, Michael Showalter's The Baxter, Sandra Goldbacher's Me Without You, and Andrew

Fleming's Dick.

On television, she starred opposite Chloë Sevigny in the critically acclaimed HBO telemovie
If These Walls Could Talk 2, directed by Martha Coolidge. She also had a 6-year run as
Jen Lindley on the WB hit television series Dawson’s Creek. The series premiered in 1998 and
remained one of the WB's top-rated shows throughout its run.

ABOUT THE FILMMAKERS

MARCEL LANGENEGGER (Director) makes his feature film debut with DECEPTION.
Acclaimed for his distinct cinematic style, impeccable art direction and poignant storytelling in
the commercial arena, the Swiss-born Langenegger is the recipient of three Clio Awards and a
Cannes Gold Lion.

He directed a two-minute spot for Toyota via Circle Productions, Toronto, and Toronto
agency Saatchi & Saatchi, which debuted during the Canadian broadcast of the Academy
Awards. Langenegger shot a campaign for the Swiss Postal Service. He directed the spot via
Chocolate Films, the company that represents him in Europe.

Langenegger attended art school and began his career as an art director and graphic
designer in Switzerland. He moved to the United States in 1997 to pursue a Master's Degree in
film at Art Center College of Design and, from there, he signed with Propaganda Pictures. One
of his first professional assignments was a spot for Doctors Without Borders (Advico/Young &
Rubicam, Zurich). The spot won a Gold Lion at the 2001 Cannes International Advertising
Festival and a Gold Clio the following year. A spot that Langenegger directed for Swiss banker
Migros (Advico/Young & Rubicam, Zurich) also won a Clio Award.

ARNOLD RIFKIN (Producer) is partnered with Christopher Eberts in the production
company Rifkin/Eberts LLC. The company’s projects include Blood and Bone and Night Train.

Previously, he produced film and television projects through his former production
company, Cheyenne Enterprises LLC, whose credits included the feature films Live Free or Die
Hard, Just My Luck, Bandits, Hart’s War, The Crocodile Hunter: Collision Course, Tears of the
Sun, The Whole Ten Yards, Hostage and Sixteen Blocks.

In television, Cheyenne Enterprises’ credits include the animated series Gary the Rat on
Spike TV (which featured the voice of Kelsey Grammer and was co-produced with Grammer’s

Gramnet), and the critically-acclaimed series Touching Evil on the USA Network, executive
produced by Cheyenne and the Hughes Brothers (From Hell).

Before founding Cheyenne Enterprises, Rifkin had been a talent agent for over 20 years.
He started his career at his company Rifkin-David and was a founding partner of the hugely
successful Triad Artists. In 1992, Triad Artists was acquired by the William Morris Agency and
Rifkin was named worldwide head of the WMA Motion Picture Department. In 1996, he
ascended to the role of president of the agency, where he remained until September 1999. A
few months later, in January 2000, Rifkin formed Cheyenne Enterprises with his former client of
17 years, Bruce Willis.

In addition to his work in the creative community, Rifkin sits on the Board of Directors at
the American Cinematheque and serves as the co-chair of the Producers Program at the UCLA
School of Theatre, Film & Television. During his tenure at the William Morris Agency, he
created an internship program with Harvard MBA students, and over the last three years has
lectured at Harvard’s School of Business, Yale Law School, and The Learning Annex.

Raised in Brooklyn by Orthodox Jewish parents, Arnold attended the Yeshiva University
program in Israel at age 16 and later attended the University of Cincinnati. The son of a fur
manufacturer, Rifkin began his career in the fashion industry. He formed his first talent agency
in 1976. He is married to Nikki MacGregor-Rifkin and has four children—ranging from the age
of 16 months to 26 years old—and one granddaughter.

JOHN PALERMO (Producer) is a partner in Seed Productions, a venture he, Hugh
Jackman, and Deborra-lee Furness started in July 2005 with an eye toward developing material
for film, television, and theatre.

Seed has a first-look film deal with Twentieth Century Fox, with which it is partnered on
X-Men Origins: Wolverine, starring Jackman.

In August of 2006, Seed launched Seed Australia, a Sydney-based division of the
company that will produce and help finance Australian films.

Palermo started his career as the assistant to Bryan Singer on the first X-Men film, where
he met Jackman. After a stint as Susan Sarandon’s development executive and assistant,
Palermo worked with Jackman on Van Helsing, the Broadway production The Boy From Oz, and
The Fountain. He was most recently an executive producer on X-Men: The Last Stand.

ROBBIE BRENNER (Producer), after graduating with a Bachelor of Fine Arts degree
in Film and Television from New York University in 1993, moved to Los Angeles to pursue a
career in the movie industry. She began working for Red Ruby Productions, where she aided in
the production of such films as Bullet and Fall Time. Soon after, she worked with producer
Michael Obel on Nightwatch, released by Dimension Films.

Brenner then went to work for Miramax Films as a production and development
executive. During her eight years there she climbed the ranks to Senior Vice President,
overseeing and working on many films including On The Line, View from the Top and
Serendipity. After leaving Miramax, Brenner went on to produce Haven, directed by Frank E.
Flowers.

After spending two years working as a senior vice president at 20th Century Fox, where
she oversaw projects such as Tender is the Night, Two Minutes to Midnight and Bandidas,
Brenner was brought into Davis Entertainment as the head of their classics division. Last she
was an executive producer on Aliens vs. Predator: Requiem. Currently, she is a producer on A
Perfect Getaway, a thriller starring Timothy Olyphant and Steve Zahn.

DAVID BUSHELL (Producer) produced the comedy The Wendell Baker Story, written
and directed by Luke Wilson and co-directed by Andrew Wilson. Bushell executive produced
the critically acclaimed and award winning Eternal Sunshine of the Spotless Mind. The movie,
which earned Charlie Kaufman an Oscar® for Best Screenplay, stars Jim Carrey, Kate Winslet
and Kirsten Dunst, and was directed by Michel Gondry. Shortly after the filming of Eternal
Sunshine, Daily Variety named Bushell one of their 10 Producers to Watch.

His ongoing commitment to bringing independent spirited content to screen has resulted
in such praised work as Billy Bob Thornton’s Sling Blade. Bushell produced the film, which
earned Thornton an Oscar for Best Adapted Screenplay.

He has also produced Bob Gosse’s Niagara, Niagara, starring Robin Tunney; Nick
Gomez’ Illtown, starring Lili Taylor; Hampton Fancher’s The Minus Man, starring Owen
Wilson; and Laurence Fishburne’s Once In The Life. He was the executive producer of Bob
Dolman’s The Banger Sisters, starring Susan Sarandon, Goldie Hawn and Geoffrey Rush.

CHRISTOPHER EBERTS (Producer) is partnered with Arnold Rifkin in the
production company Rifkin/Eberts LLC. Previously, he was founder and CEO of Ascendant
Pictures, an independent film development, production, finance, and foreign distribution
company. Ascendant’s credits included Lucky Number Slevin, Lord of War, The Big White, Ask
the Dust, Edison, The Jacket, and The Punisher.

More recent projects include Black Water Transit, Outlander, Night Train and Blood and
Bone.

Prior to founding Ascendant, Eberts was CEO and President of ScreenWorks Media,
where he executive produced the documentary film Prisoner of Paradise, which was nominated
for a 2002 Academy Award® for Best Documentary. Other producing credits include Half Past
Dead, The Watcher, Chasing Holden, and Woman Wanted.

Before forming his own production banner, Eberts was Vice President of Production at
Twentieth Century Fox, where he was responsible for all phases of feature film development and
production, including solicitation of screenplays and other source material; screenplay analysis
and development; assignment of director, cast and other creative elements; the securing of
production financing and distribution arrangements, as well as the physical supervision of all
aspects of the production process. With Twentieth Century Fox, Eberts was involved in the
production of My Cousin Vinny, Rising Sun, and Alien III, among others.

MARJORIE SHIK (Executive Producer) was an executive at Arnold Rifkin’s film and
television production company, Cheyenne Enterprises LLC. Prior to that, she worked with
Rifkin while he was president of the William Morris Agency.

Shik was a co-producer on the romantic comedy Just My Luck, starring Lindsay Lohan
and directed by Donald Petrie for New Regency/Twentieth Century Fox.

Born and raised in Brooklyn, New York, Shik received her degree from Syracuse
University. After graduation, she went on to participate in basic training in the Israeli army and
studied at Tel Aviv University.

DANTE SPINOTTI, ASC, AIC (Director of Photography) is a master craftsman whose
work on such films as The Insider, L.A. Confidential, Heat, The Mirror has Two Faces, Crimes
of the Heart and The Last of the Mohicans has earned him a formidable reputation.

In his native Italy, Spinotti worked with such internationally respected directors as Lina
Wertmuller, Liliana Cavani and Giacomo Battiato before making his American debut with
Michael Mann's Manhunter (1986), an early introduction to the Thomas Harris character
Hannibal Lecter. He reunited with Mann for The Last of the Mohicans (1992), freeing his camera
to accompany the trajectory of a bullet or the flight of a tomahawk, and again for the epic copsand-
robbers saga Heat (1995). Another frequent partner has been director Garry Marshall, the
two teaming on Beaches (1988), Frankie and Johnnie (1991) and The Other Sister (1999).
Spinotti was director of photography on two Michael Apted films, Blink and Nell (both 1994).
He also filmed Brett Ratner’s Red Dragon (2002), After the Sunset (2004), and X-Men: The Last
Stand (2006).

Spinotti's collaboration with Curtis Hanson yielded the internationally acclaimed L.A.
Confidential (1997). Rejecting classic noir approaches, Hanson and Spinotti pored over the work
of Swiss-born still photographer Robert Frank, intrigued by a contemporary look and feel in his
pictures that was simultaneously true to their period. After teaming with Roland Joffe for
Goodbye Lover (1999), Spinotti again made the best of his locations and cast for Mann's The
Insider (also 1999) and earned his first Oscar nomination. He then joined Hanson for Wonder
Boys (2000), proving that dark, dreary weather is not incompatible with comedy.

He has twice won the Los Angeles Film Critics Association Award for Best
Cinematography; first for L.A. Confidential in 1997 and then for The Insider in 1999.

PATRIZIA von BRANDENSTEIN (Production Designer) won an Academy Award for
her work on Milos Forman’s Amadeus. A long time collaborator of Forman’s, von Brandenstein
was art director on the director’s film Ragtime and production designer on The People Vs. Larry
Flynt, Man on the Moon and Goya’s Ghosts.

She also designed three films for Mike Nichols: Silkwood, Working Girl, and Postcards
from the Edge. Among her recent films are Ice Harvest, Shaft, The Emperor’s Club, and All the
King’s Men and the upcoming Nights in Rodanthe.

Ms. von Brandenstein began her film career in 1977 designing the costumes for Saturday
Night Fever. She started production designing on Peter Yates’ Breaking Away. Other early
credits include Heartland, A Chorus Line, The Money Pit, State of Grace, Tell me a Riddle and
Billy Bathgate.

In 1988, Ms. von Brandenstein was nominated for an Oscar for her work on Brian De
Palma’s The Untouchables.

Her other credits include Sneakers, Leap of Faith, Six Degrees of Separation, The Quick
and the Dead, Just Cause, Mercury Rising and A Simple Plan.

CHRISTIAN WAGNER’s (Editor) numerous credits as editor include The Amityville
Horror (2005), the James Bond epic Die Another Day, Man on Fire, Mission: Impossible 2, Spy
Game and Face/Off. Next up for him is a new The Fast and Furious film, this one reuniting the
original’s stars, Vin Diesel and Paul Walker.

DOUGLAS CRISE (Editor) was editor on the independent picture The Nines, starring
Ryan Reynolds, and on the critically acclaimed drama Babel starring Brad Pitt and Cate
Blanchett. He has worked in various editorial capacities on Ocean’s Twelve, Good Night and
Good Luck, 21 Grams and Ocean’s Eleven.

SUE GANDY (Costume Designer), since moving to New York from Kansas City in
1975, has done everything from making elephant blankets for Ringling Brothers to singing in
cabarets.

An acclaimed costume designer, her credits include Bonneville, directed by Christopher

N. Rowley, starring Jessica Lange and Kathy Bates, plus Judy Berlin, Guarding Tess, Ngati,
Bridge to Nowhere, and Queen City Rocker.
Sue started her career in 1978 under the guidance of designer Ann Roth, when she was
costume shopper for The Best Little Whorehouse in Texas. Since then, she has also served as
assistant costume designer on numerous highly praised films, among them Just My Luck, The
Interpreter, The Hours, Two Weeks Notice, You’ve Got Mail, Private Parts, Guilty as Sin, School
Ties, Dirty Rotten Scoundrels, and The Mosquito Coast.

RAMIN DJAWADI (Music) is the composer on the much-anticipated big-screen
adaptation of the comic Iron Man. His other credits include Mr. Brooks, Ask the Dust, Batman
Begins (additional music), Blade: Trinity and Pirates of the Caribbean: Curse of the Black Pearl
(additional music).

©2008 Twentieth Century Fox. All rights reserved. Property of Fox.
Permission is hereby granted to newspapers and periodicals to reproduce this
text in articles publicizing the distribution of the Motion Picture.

All other use is strictly prohibited, including sale, duplication, or other transfers of this material.
This press kit, in whole or in part, must not be leased, sold, or given away.

A R|||E PRODUCTION

IN ASSOCIATION WITH 
SEED PRODUCTIONS

“DECEPTION”

Directed by..................................MARCEL LANGENEGGER 
Written by.................................................MARK BOMBACK 
Produced by ................................................ ARNOLD RIFKIN 
Produced by .................................................JOHN PALERMO 
................................................................... HUGH JACKMAN 
Produced by .............................................ROBBIE BRENNER 
................................................................... DAVID BUSHELL 
........................................................CHRISTOPHER EBERTS 
Executive Producer ......................................MARJORIE SHIK 
Associate Producers.......................AMANDA SCHWEITZER 
.......................................................................... PHILIP EISEN 
Director of Photography .......... DANTE SPINOTTI ASC, AIC 
Production Designer................................................................... 
.......................................... PATRIZIA von BRANDENSTEIN 
Edited by............................................CHRISTIAN WAGNER 
....................................................................DOUGLAS CRISE 
Costume Designer...............................................SUE GANDY 
Music by ................................................... RAMIN DJAWADI 
Casting by .........................................BONNIE TIMMERMAN

HUGH JACKMAN EWAN MCGREGOR

“DECEPTION”

MICHELLE WILLIAMS

LISA GAY HAMILTON 
MAGGIE Q 
NATASHA HENSTRIDGE 
LYNN COHEN 
DANNY BURSTEIN 
MALCOLM GOODWIN

And 
CHARLOTTE RAMPLING

Cast

In Order of Appearance

Jonathan McQuarry................................. EWAN McGREGOR 
Wyatt Bose................................................. HUGH JACKMAN 
S........................................................MICHELLE WILLIAMS 
Lawyer #1 ...................................................BRUCE ALTMAN 
Lawyer #2 ........................................... ANDREW GINSBURG 
Assistant Controller .............. STEPHANIE ROTH HABERLE 
Tennis Player #1 ......................................... CHRISTINE KAN 
Herr Kleiner / Mr. Moretti .........................DANTE SPINOTTI
Waitress ...............................................KAROLINA MÜLLER 
Woman at Waldorf Astoria............... AGNETE OERNSHOLT

Velvet Rope Dancer #1.................... MELISSA RAE MAHON 
Velvet Rope Dancer #2...........RACHEL MONTEZ COLLINS 
Velvet Rope Dancer #3......................HOLLY CRUIKSHANK 
Tango Dancer ........................................... DEBORAH YATES 
Clancey Controller................................................ BILL CAMP 
Secretary #1..........................................................ZOE PERRY 
Secretary #2...........................................................AYA CASH 
Mr. Lewman ........................................ FRANK GIRARDEAU 
Wall Street Analyst....................... NATASHA HENSTRIDGE 
Wall Street Belle...........................CHARLOTTE RAMPLING 
List Member #1 ....................................PAZ DE LA HUERTA 
List Member #2 ............................................... DAISY BATES 
List Member #3 .........................................SHANNAN CLICK 
Cabbie............................................... MALCOLM GOODWIN 
List Member #4 ......................................... JORDAN TESFAY 
Woman in Hallway................................ RACHAEL TAYLOR 
Old Woman ..................................... SALLY LEUNG BAYER 
Lotus Hotel Clerk .................................. KENNETH G. YONG 
Detective Russo .................................LISA GAY HAMILTON 
Detective Burke ...............................................PAUL SPARKS 
Waiter ............................................................. KENNETH LEE 
Locksmith.................................................JAMES MAZZOLA 
Receptionist..........................................................LISA KRON 
Ms. Pomerantz........................................MARGARET COLIN 
Woman ............................................................ LYNN COHEN 
Rhiga Desk Clerk...................................PETER SCANAVINO 
Tina ath the Rhiga Royal ....................................... MAGGIE Q 
Police Officer.................................................... FRANK DEAL 
Clancey Receptionist ......................... FLORENCIA LOZANO 
Medical Examiner.......................................EMILIE JEFFRIES 
Clute Controller ...................................... DANNY BURSTEIN 
Mr. Lewman Stunt Double ........................ GENE HARRISON 
Uniform Cop........................................CHANDLER PARKER 
Businessman on Airplane ............. PETER JAY FERNANDEZ 
Bank Greeter..................................... MERCEDES HERRERO 
Mr. Ruiz.......................................................... DANIEL LUGO 
Bank Manager .............................................JAVIER GODINO 
Younger Officer.............................................BRIAN SLATEN 
Utility Stunt #1 ........................................... TIM BUCHANAN 
Utility Stunt #2 ......................................DONALD J. HEWITT 
Stunt Coordinator ............................................ JERY HEWITT 
Unit Production Manager .......................... DAVID BUSHELL 
First Assistant Director................................ TODD PFEIFFER 
Second Assistant Director ....................... MAGGIE MURPHY

Made In Association with 
DUNE ENTERTAINMENT III LLC

Production Supervisor ................................. DAVID BAUSCH 
Post Production Supervisor.......................... TIM PEDEGANA 
Production Coordinator ....................CHRISTIAN BROCKEY 
Music Consultant......................................CHRIS DOURIDAS 
Assistant Production Coordinator......................ANA PELAEZ 
Location Manager....................................... ROSE VIGGIANO 
Second Second Assistant Director... SARAH RAE GARRETT 
Dialect Coach ...................................................... JESS PLATT


A Camera Operator / Steadicam Operator ................................. 
..................................................DUANE “DC” MANWILLER 
B Camera Operator ............................................ DAVE KNOX 
A Camera First Assistant Camera...................CHRIS SILANO 
A Camera Second Assistant Camera ...............LEE VICKERY 
B Camera First Assistant Camera ..................EJ MISISCO, JR. 
B Camera Second Assistant Camera........JOSEPH METZGER 
Loader.......................................................KEVIN KASARDA 
Still Photographer ....................................JONATHAN WENK 
Digital Imaging Technician ...............................RICK NAGLE 
Digital Utility...............................................NICHOLAS KAY 
Camera PA................................................STRAT WALLACE 
Art Director................................................. JOHN KASARDA 
Assistant Art Directors................................EDWARD PISONI 
..........................................................................DAVID STEIN 
Set Decorator ......................................... DIANE LEDERMAN 
Assistant Set Decorator...................... SARAH E. McMILLAN 
Graphic Artist ................................................GARY CERGOL 
Art Department Coordinator ...................... NORA KASARDA 
Storyboard Artist........................................... RUSTY DUMAS 
Creative Reaserch and Visuals..............GARY NACCARATO 
Production Sound Mixer...................................ALLAN BYER 
Boom Operator .........................................JOHN GUTTIEREZ 
Cable Person...............................................PAUL POUTHIER 
Video Assist..................................................DARREN RYAN 
Post Production Coordinator..........................TODD KOLKER 
Additional Editing................................... HAL HONIGSBERG 
1st Assistant Editors......................................LEIGH FOLSOM 
........................................................................ PAUL KIERAN 
Editorial PA .........KERRIE O’SHEA, RODOLFO ORNELAS 
........................WAYNE GOLDBLATT, JOHN BARCHESKI 
Property Master.........................................JAMES MAZZOLA 
Assistant Property Master................................WALLY ADEE 
3rd Props...................................................... SHARON POTTS 
Props Assistant...............................................ROBERT BONO 
Script Supervisor..............................MARIANA HELLMUND 
Gaffer..............................................................JAY FORTUNE 
Best Boy Electric.......................................BRIAN McCLEAN 
Rigging Gaffer ................................................... TOM DOLAN 
Electricians .........KENNETH POTTER, MARK MELENDEZ 
.........NICOLE BRAIT, WILL CALLAHAN, JASON VELEZ 
.................................................................... JAMES MALONE 
Rigging Electricians......................................BRYAN DOLAN 
...........................................................RAYMOND FORTUNE 
Key Grip ........................................................ KURT RIMMEL 
2nd Grip.........................................................JOE DOUGHAN 
Key Rigging Grip......................................... ROB KUMMERT 
2nd Rigging Grip ................................ DANIEL VRANESICH 
A Dolly Grip .................................................JOHNNY ERBES 
B Dolly Grip .................................................. ERIC GEARITY 
Company Grips..........................................JOSEPH MELLON 
................ MARKHAM SINDEBAND, MARK VRANESICH 
Rigging Grips....................... TOM POPOLA, TIM FERRAER 
Assistant Costume Designer ...............................MEL HALEY 
Costume Supervisor.............................DEIRDRE WILLIAMS 
Co-Costume Supervisor..................................STEV TAYLOR

Key Set Costumer............................................PETER WHITE 
Set Costumer ............................................ARLYNN ABSECK 
Tailor ............................................... CELESTE LIVINGSTON 
Costume Coordinator.................................. KATE HOLLAND 
Costume Pas ...............ROB BIRDSONG, LAUREN MILLER 
Makeup Department Head..................... ALLEN WEISINGER 
Key Makeup Artist ........................................LINDA GRIMES 
Hair Department Head.............DONNA MARIE FISCHETTO 
2nd Hairstylist .......................................... ANITA LAUSEVIC 
Choreographer .......................................WARREN CARLYLE 
Assistant Choreographer.....................JAMES PARKER ESSE 
Special Effects Coordinator.......................STEVE KIRSHOFF 
Special Effects Foremen............................WILFRED CABAN 
............................................................................MARK BERO 
Special Effects Technician ............CARMEN CAMPOLO, JR. 
Construction Coordinator .............................. RON PETAGNA 
Co-Construction Coordinator .......................... FRANK DIDIO 
Construction Foreman ...................................... BOB TRAGER 
...............................ROBERT DIGRIGOLI, JOSEPH PATIRE 
...................RONNIE A. PETAGNA, RICHARD TENEWITZ 
Shop Craftsmen . ROBERT ANTALOCY, JAMES CARLINO 
...HENRY DUYS, MIKE MELCHIORE, ANDREW ROSSIG 
Key Construction Grip......................VINCENT GUARIELLO 
2nd Construction Grips....................... NICK MONGELLI, JR. 
......................................................................MIKE CERULLO 
Construction Grips.........GREGORY DRESSEL, JOE VALLE 
..................................JOHN MAZZOLA, FRANK DIDIO, JR. 
Shop Electric .............................................DENNIS MALONE 
Shop Pas ..................... CHARLES VITALE, TALIA MAYER 
Charge Scenic.................................................JON RINGBOM 
Scenic Foreman ....................................... PETER HACKMAN 
Scenics................................................. HEATHER BENNETT 
.............. ELIZABETH BONAVENTURA, JEFFREY CZAJA 
VIRGINIA GIFFORD, DIANE LAURIENZO, JULIE MARR 
.............................. HOLLY MOORE, PHILLIP SCHNEIDER 
Scenic Artist Apprentice............................ WAYNE ALFANO 
Scenic Shop Manager ..................................... TOM NOUSIAS 
Standby Scenic ................................... STEPHEN SHELLOOE 
Set Decoration Buyers....................................SUSAN TYSON 
.........................................................................LEE MALECKI 
Leadman ................................................... STEVE SWANSON 
Assistant Leadman..................................... MATT STORELLI 
Set Dressers .................BRUCE GROSS, JOEL TARANTINO 
..................... SCOTT CANFIELD, KEN HOARE, JIM KENT 
. RICKY DITTAMO, PAUL ROBINSON, JAMES WHELAN 
.............................KELLY SOLOMON, DANIEL ARONSON 
On Set Dresser.....................................RAFAEL FRAGUADA 
Additional On Set Dresser............. CHRISTOPHER CHENEL 
Production Accountant .................................... SEAN HOGAN 
1st Assistant Accountant ........................... FRANK MURRAY 
2nd Assistant Accountant.......................BRENNANSHROFF 
Accounting Clerk.......................................... ANNE SUTTLES 
Payroll Accountant ............................... SHELLIE GILLESPIE 
2nd Payroll Accountant........................KALINDA UKANWA 
Post Production Accountant .......................... JULIE HANSEN 
Assistant Location Manager ...................MICHAEL GROSKY

II


Locations Coordinator ...............................WENDY TAYLOR 
Locations Assistants .................................... SARAH CROFTS 
.......................................MALAIKA JOHNSON, ERIC PAPA 
.................................................. JASON KADLEC, GINE LUI 
Unit PA .............................................GREGORY MORRISON 
Location Scouts...............................GEORG SCHMITHUSEN 
.........................JANET HENRY, MICHAEL “TY” INWOOD 
Parking Coordinator....................................CISCO MARCIAL 
Casting Associate.................................... ANNE TEUTSCHEL 
Casting Assistants.....................................HUNTER NELSON 
...............................................................ALBERT THROWER 
Extras Casting..........................GRANT WILFLEY CASTING 
...................................................................GRANT WILFLEY 
Extras Casting Associate............................MELISSA BRAUN 
Extras Casting Assistant .............................ANGELA CONDE 
Unit Publicist ............................................ CARA LEIBOVITZ 
Product Placement & Clearances............ LAURIE GERSHON 
Art Department Clearances.......................... WENDY COHEN 
Assistant to Mr. Langenegger ......................... JAMES SIMAK 
...................................................................... Caitlin McDonald 
Assistant to Mr. Rifkin........................... JESSICA YINGLING 
Assistant to Mr. Eberts...................................ADAM WIESER 
Assistant to Mr. Palermo................. ALEXANDRA DUCOCQ 
Assistant to Mr. Jackman................................ MARNI LEWIS 
Assistant to Ms. Brenner........................JONATHAN COHEN 
Assistant to Mr. Bushell............................ MEENA SAJWANI 
Assistant to Ms. Shik ...........................MACKENZIE MEYER 
Production Secretary........................... CHRISTINE PUTNAM 
Office Production Assistants...............................DANA COLE 
............................... MICHAEL BRAUN, JAMES BEDNARK 
Art Department PA ......................... EMMA L.P. LUNDBERG 
Key Set PA ................................................ADAM BERNARD 
Set Pas......................... JENN BUBKA, MICHAEL HEKMAT 
............................ ELIZABETH MACSWAN, LIZ URSCHEL 
.................................... KATIE-BO FISHER, PHIL WARREN 
............................................................. SHILO FRONTIERRO 
Transportation Captain.............................. EUGENE O’NEILL 
Co-Captain..................................................JOHN CANAVAN 
Drivers ................................ JOSEPH FLYNN, JOHN LALOR 
........................ERNIE ACQUAVELLA, DIMITRI JACOTIN 
.................................MICHAEL KEDROVIC, JESSE LELLO 
............................ JOSEPH AMORUSO, RALPH ASTARITA 
....CHRIS COLLINS, JOHN CREMIN, JAMES DONNELLY 
.......................HOWARD ENGEL, RICHARD GUTERDING 
............................. GARY HARRIGAN, DEAN HOKANSON 
.........ADRIAN KEENAN, NOEL KELLY, NOEL LAWLOR 
................................. SEAN LEAHYK, MICHAEL MURPHY 
...FRANCES NUGENT, CHRIS SCHIRRIPA, JIM SHALOO 
................................RODNEY THORPE, PATRICK WALSH 
................................................................BRIAN WEINSTEIN 
Caterer............. WAYNO’S CATERING, WAYNE FORMAN 
Catering Coordinator ....................................... TOM SEXTON 
Chef...................................................MATILDE R. AGUIRRE 
Assistant Chefs ................................................... JOSEPH LEE 
.................................... ANA DUTAN, JAUN PALAGUACHI 
Craft Service....................THE WILSON RIVAS COMPANY

.......................................................................WILSON RIVAS 
Craft Service Assistants............... VERONICA CADMILEMA 
....SYLVIA V. CADMILEMA, CORNELIO CAMPOVERDE 
Cast Security...................................... WAYNE PETRUCELLI 
Production Intern ....................................JASE MILES-PEREZ 
Visual Effects by .......................................BRICKYARD VFX 
Visual Effects Supervisor ...................... GEOFF MCAULIFFE 
Executive Producers ...........................KIRSTEN ANDERSON 
..................................................................... BRIAN DREWES 
CG Supervisors.........................ROBERT SETHI, YAFEI WU 
Composite Artists ............ JIMI SIMMONS, DAVE WALLER 
...............................ROBIN HOBART, MANDY SORENSON 
............................. PATRICK POULATIAN, PETER BULLIS 
3D Artists..................................... CHRISTIAN ANDERSSON

............................................................. JULIAN SARMIENTO 
Supervising Sound Editor and Re-Recording 
Mixer .....................................................AARON GLASCOCK 
Supervising Sound Editor and Re-Recording 
Mixer...........................................................CURT SHULKEY 
Re-Recording Mixer.......................GREGORY H. WATKINS 
Re-Recording Mixer.................................Timothy O. LeBlanc 
Assistant Sound Editors.................................BRUCE BARRIS 
Dialogue Editor ...........................................KIRA ROESSLER 
Sound Effects Editor Editor............ JOHN JOSEPH THOMAS 
Foley Artists .................................................HILDA HODGES 
....... KATHERINE ROSE, DAVID LEE FEIN, DAVID JOBE 
ADR Mixers ................. TOM O'CONNELL, TROY PORTER 
........................................ANDY WRIGHT, BARRY STRICK 
........................................ RUSS GORSLINE, JAMIE RODEN 
Music Editor ................................................... DAVID KLOTZ 
ADR Stage.......................................................Warner Brothers 
Voice Casting ................................................... Lynne Redding 
DIGITAL Intermediate Provided by........................Company 3 
CO3 Executive Producer/Colorist ................Stefan Sonnenfeld 
Digital Intermediate Producer............................. Christine Carr 
Online Editor ............................................. Salvatore Catanzaro 
Additional COLORIST..................................... Adrian DeLude 
Digital Intermediate Assistants........................Jeremiah Morey

...............................................................................James Baker 
Digital Intermediate Technologist ...............MiCHAEL Chiado 
Co3 Producer................................................Missy Papageorge 
Digital Intermediate Scanner ....................................Ian Turpen 
Digital Intermediate DRS Artist ...................... Tanja Coronado 
Deluxe Account Manager.......................................GREG LEA 
Deluxe Color Timer..............................TRICIA CHIARENZA 
Film Data Management ....SOMMERWARE SYSTEMS INC. 
.............................................................. MARILYN SOMMER 
Original Negative Lineup for DI and VFX................................ 
................... US COMPUTAMATCH INC., ALIEN GLASS II 
[Lab] Color Timer ...................TECHNICOLOR NEW YORK 
.................................................................... JOEY VIOLANTE 
Main Titles by.......................................................PROLOGUE 
Main Titles Designed by....................AGNETE OERNSHOLT 
End Titles............................................................... PAC TITLE 
Completion Bond Services ................ FILM FINANCES, INC. 
................................KURT WOOLNER, MAUREEN DUFFY

III


MADRID UNIT

Madrid Location Services......... KANZAMAN SERVICES s.l. 
Producers .......................DENISE O’DELL, MARK ALBELA 
...............................................................DENIS PEDREGOSA 
Production Manager.....................................CRISTINA ÉCIJA 
1st Assistant Director.............................. CHARLIE LÁZARO 
Key 2nd Assistant Director.................LUIS CASACUBERTA 
2nd 2nd Assistant Directors......................KARMEN MENDO 
................................................. F. “BARRI” BARRIONUEVO 
Location Manager...........................................FELIX ROSELL 
Assistant Location Manager ............... MERCEDES BARBOD 
Locations Assistant ................................DAVID CHAGOYEN 
Production Coordinator............................ AURORA YÚFERA 
Assistant Production Manager .................. MARÍA CABELLO 
Unit Accountant.............................................. ALI MOSHREF 
Assistant Accountant ...................................... SARAY PEREZ 
Focus Puller ................................................ PEPE MARTINÉZ 
A Camera Clapper Loader ..............ROBERTO FERNÁNDEZ 
B Camera Clapper Loader .................... GUS DE LA FUENTE 
Clapper Loader ................................................ EVA AYCART 
Sound Mixer ............................................. ANTONIO BLOCH 
Boom Operator ......................................... JORGE ADRADOS 
Cable Runner ............................... JUAN RAMON CASTAÑO 
Video Assist.............................................LIONEL GARROTE 
Still Photographer............................................TERESA ISASI 
Art Director.......................................... SONIA ARANZÁBAL 
Assistant to Ms. Von Brandenstein............................................ 
........................................... CARMEN RUIZ DE HUIDOBRO 
Spain Gaffer........................................... JORGE SACRISTÁN 
Best Boy..................................................... JOSE LUIS SORIA 
Electricians .....................DAVID ANDRES, EMILIO LOPEZ 
............... FERNANDO MEGINO, JUAN CARLOS TORRES 
.............................................................. JOSÉ V. SALVADOR 
Key Grip .............................. JULIO “SANTA” FERNÁNDEZ 
Grip Assistant .......................................... JOSÉ FERNANDEZ 
Technocrane Operator................................................................
....................................JOSÉ “JONEL” MANUEL CABELLO 
Costume Supervisor................................CRISTINA SOPEÑA 
Set Costumers.......................................PATRICIA AGUIRRE 
.................................................................. EDGAR MOLINOS 
Costume Assistants .............................. MARÍA MANCHADO 
....................... MONICA GARCÍA LANCHA, KOKÉ RIERA 
Makeup Artist .........................................SUSANA SÁNCHEZ 
Hair Assistant.....................................................NURIA VELA 
Stunt Coordinator...............................MIGUEL PEDREGOSA 
Special Effects Coordinator ......................... CÉSAR ABADES 
Armorer....................................................... ANGEL ALONSO 
Prop Buyer ................................................ CHEMA BELLIDO 
Action Vehicles Coordinator ......................... PEPE MORENO 
Standby Props ............................................. PACO CALONGE 
...................................GONZALO ANSÓ, ÓSCAR ROMERO 
Swing Man..........................................................CARLOS GIL 
Location Manager...........................................FELIX ROSELL 
Assistant Location Manager ............... MERCEDES BARBOD 
Locations Assistant ................................DAVID CHAGOYEN 
Key Locations Runner ................................KEKO MORALES

.................................................................... TXON VICTORIA
Locations Runners ............................................. ISAAC VIEJO
...........................MARCOS RAMBAL, MANUEL MOLANO
.................................GONZALO BOUZA, LORENA COBOS
......................................ELENA DEL SAZ, JUANAN LÓPEZ
............................. BEATRIZ LUJÁN, ÁLVARO VILLALBA
Office Runner ........................................................ BEA LAGO
Floor Runners...............................................PABLO GARCÍA
........................................................... YOLANDA HINOJOSA
Transportation Coordinator ........................TEDY VILLALBA
Director's Driver ..........................................TOMAS STUDER
Producer's Driver.......... DAVID OCAÑA, REBECA DURÁN
.......................ISABEL DE NAVASQÜÉS, ANGELA NIETO
......................... CAROLINA REDONDO, PAXTI ALVAREZ
............................................................ VÍCTOR RODRÍGUEZ
Security for Ewan McGregor.................... José Angel Martínez
Security for Hugh Jackman ............................. Carlos Martínez
Security for Michelle Williams ..............................John Fernan
Security...............................Insight Executive s.l. SpaceKeeper
Catering ............................................................ Rafael Catering
Camera Equipment & Technocrane....................................EPC
Costume Hire............................Lola Medina - Peris Hermanos
Crowd ............................................................................. Vanity
Facilities ................................................................Mensavision
Filmstock ........................................................................ Kodak
Generators..................................................Cinesol Iluminación
Health & Safety ...............................Muprespa / La Fraternidad
Hotels...................................................... AC Palacio del Retiro
Insurance..........................................................Cinevent Online
Laboratory ..............................................................Technicolor
Lighting Equipment..............................................Southern Sun
Payroll Company......................................One Plan Consulting
SFX .................................................................... Reyes Abades
Self Drive Vehicles....................................................... ATESA
Production Cars ................................................. Autos Cadenas
Heavy Transport ........................................... Megino s.l.On Set
Walkie Talkies............................................................Tecnitran
Weather.........................................................................Meteora

SONGS

"Yeh Yeh" 
Performed by Hugh jackman 
Written by John Hendricks(ascap), 
Pat Patrick (bmi), Rogers Lee Grant 
(bmi) Published by MONGO MUSIC, 
INC. (BMI) administered by Bug

"Keys To The Kingdom" 
Performed by UNKLE 
Written by James Lavelle (PRS), Richard 
File(PRS), Chris Goss (ASCAP), Gavin Clark 
(PRS) 
Published by Copyright Control/Baby Cole 
Music/Music Sales 
Courtesy of Surrender All Ltd.

IV


By Arrangement With Zync Music Inc. 
www.unkle.com <http://www.unkle.com>

"Price You Pay" 
Price You Pay 
Performed by UNKLE 
Written by James Lavelle (PRS), Richard 
File(PRS), Chris Goss (ASCAP) 
Published by Copyright Control/Baby Cole Music 
Courtesy of Surrender All Ltd. 
By Arrangement With Zync Music Inc. 
Contains a sample of the track 'Eruption', taken 
from the album 'Prisms' by Michael Garrison 
[203920]. Courtesy of Siebenpunkt/Mint Records 
Germany. Written by Michael Garrison. Licensed 
courtesy of Siebenpunkt/Mint Records 
www.unkle.com <http://www.unkle.com>

THE PRODUCER(S) WISH TO THANK THE 
FOLLOWING FOR THEIR ASSISTANCE:

The City of New York Mayor's Office of Film, Theater and 
Broadcasting 
Madrid Film Commission 
The New York Police Department Movie/TV Unit 
Instituto Cervantes 
Ecmo. Sr. D. Cesar Antonio Molina 
MTA New York City Film and 
Special Events Unit 
Hotel AC Palacio del Retiro 
D. Pablo Guiitain 
The Soho Grand Hotel 
The Dylan Hotel 
Sociedad Estatal Correos y Telégrafos s.a. 
The Flatotel Hotel 
Palacio de Comunicaciones de Madrid 
The Waldorf Astoria 
Cuartel General del Ejército de Tierra 
Perry Ellis (Contractual) 
Hotel Palace 
The Tambaran Gallery 
The Kohler Company 
The Water Street Restaurant and 
Under Water Lounge 
Bloomberg Television 
Photographs by Jeffrey Rothstein courtesy of the Artist 
Photographs by David Plowden courtesy of the Artist 
“Two Candles” painting by GERHARD RICHTER 
©2006 The Jacob and Gwendolyn Lawrence Foundation, 
Seattle Artists Rights 
Society (ARS) New York 
©2006 Jenny Holzer, Member of Artists Rights Society, 
(ARS) New York 
©2006 Mike and Doug Starn / Artists Rights Society (ARS) 
New York 
The Estate of Roy Lichtenstein

© The New York Daily News, L.P. Used with permission 
Brayton International Furnishings 
GIRSBERGER Office Furniture 
La Perla 
The Kohler Company 
Tennis footage courtesy of The Tennis Channel Inc. 
Soccer footage courtesy of GolTV, Inc. 
Theater Talk 
Bloomberg Television 
PANAVISION NEW YORK – SCOTT FLEISCHER 
EASTMAN KODAK – ANNE HUBBELL 
Dr.Hauschka Skin Care 
England Insurance Brokerage, Ltd. 
Fage USA, Corp. 
Lulu Guinness 
Kérastase Paris 
MarieBelle Chocolates 
Lacoste 
Mosley Tribes 
Harvest Song Ventures 
Not For Tourist - NFT 
Laura Mercier Csmetics 
Puma® 
L’Occitane 
Teany Beverages

PANAVISION ® (logo)

IATSE "Bug"

KODAK (logo)

DOLBY STEREO (logo)

Approved No. 43789 (MPAA Globe) 
MOTION PICTURE ASSOCIATION OF AMERICA 
(c) 2007 The Tourist Pictures, LLC. All rights reserved.

The events, characters and firms depicted in this photoplay are 
fictitious. Any similarity to actual persons, living or dead, or 
to actual events or firms is purely coincidental.

Ownership of this motion picture is protected by copyright and 
other applicable laws, and any unauthorized duplication, 
distribution or exhibition of this motion picture could result in 
criminal prosecution as well as civil liability.

http://www.deception-movie.com/site/index.html

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