FEEL THE NOISE

TriStar Pictures presents a Sony BMG Film Production,

in association with Nuyorican Productions

He had to find the music to find himself.

MAIN CREDITS

CAST

Omarion Grandberry ……………Rob

Zulay Henao………….………….C.C.

James McCaffrey……..Jeffrey Skylar

Kellita Smith……………..……..Tanya

Malik Yoba………….…….The Mayor

Melonie Diaz ………..…………..Mimi

Victor Rasuk ………………….….Javi

Giancarlo Esposito….…..…..Roberto

DIRECTOR

Alejandro Chomski

WRITTEN BY

Albert Leon

PRODUCERS

Sofia Sondervan

Jennifer Lopez

Simon Fields

EXECUTIVE PRODUCER

Andrew Lack

SOUNDTRACK

Cut Off Time / Omarion featuring Kat DeLuna

Coqui / Omarion featuring Wyclef and Voltio

Chevere / Voltio featuring Notch

Get Down / W7

Eso Ehh…!! / Alexis & Fido

No Quiere Novio / Nejo featuring Tego Calderon

Atrevete Te Te Te / Calle 13

Hey Ladies / Lisa M

Espaldota / Dombi

Pa La Calle / Pras Michel

Chulin Culin Chunfly / Voltio

Templeque / John Eric

Tengo El Control / Johnny Prez

TriStar Pictures presents a Sony BMG Film Production,

in association with Nuyorican Productions

Synopsis

After a run-in with local thugs, aspiring Harlem rapper Rob (Omarion Grandberry) flees to a place and father (Giancarlo Esposito) he never knew, and finds his salvation in Reggaeton, a spicy blend of hip-hop, reggae and Latin beats. Puerto Rico, the spiritual home of Reggaeton, inspires Rob and his half-brother Javi (Victor Rasuk) to pursue their dream of becoming Reggaeton stars. Together with a dancer named C.C. (Zulay Henao), they learn what it means to stay true to themselves and each other, while overcoming obstacles in love, greed and pride, all culminating in an explosive performance at New York’s Puerto Rican Day Parade.

TriStar Pictures presents FEEL THE NOISE, a Sony BMG Film production, in association with Nuyorican Productions. Starring Omarion Grandberry, Zulay Henao, James McCaffrey, Kellita Smith, Malik Yoba, Melonie Diaz, with Victor Rasuk and Giancarlo Esposito. FEEL THE NOISE is directed by Alejandro Chomski, written by Albert Leon and produced by Sofia Sondervan, Jennifer Lopez and Simon Fields. Executive producer is Andrew Lack. Casting is by Kim Taylor-Coleman, music is by Andres Levin and the executive music producers are Budd Carr and Nora Felder The editors are Bill Pankow, A.C.E., Suzy Elmiger, A.C.E., and Nico Sarudiansky. The production designer is Monica Monserrate and the director of photography is Zoran Popovic.

FEEL THE NOISE is rated PG-13 for sensuality and innuendos, violence, some drug use and language.

Rob (Omarion Grandberry) wants to rap in New York but his mother worries about his survival. When he is shot at, she shoos him off to Puerto Rico to live with his father Roberto (Giancarlo Esposito). Rob, who has no idea that his dad even existed, tries to make the best of what he thinks will be marking time until it is safe to return home.

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His half-brother Javi (Victor Rasuk), a digital music wiz and online DJ, introduces Rob to Reggaeton. They visit the clubs of Puerto Rico’s La Perla ghetto, and the music ignites Rob’s passion. Although their father, a former musician, isn’t supportive, Rob and Javi begin to make music together. Javi teaches Rob to integrate his rap into the faster rhythm of Reggaeton.

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They create a catchy track that Rob’s budding love interest, C.C. (Zulay Henao), is convinced will become a hit. Meanwhile, C.C.’s jealous ex-boyfriend (Vico C) emerges as a threat to the boys and their family.

C.C. introduces the undaunted duo to a hotshot producer (James McCaffrey) who signs them to a contract. Rob, Javi and C.C. set off for New York to find their futures while Rob must also settle a score in his past. What at first seems the perfect homecoming for Rob -- recording in a fancy studio, staying for free in posh digs -- begins to unravel.

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As New York’s famous Puerto Rican Day Parade approaches, all three attempt to piece back together their dreams and self-respect before it’s too late.

ABOUT THE PRODUCTION
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Reggaeton, the scorching mix of rap, reggae, salsa and bomba, became the subject of a movie because it had to. The music is too infectious, too powerful … too hot.

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†“It’s an upcoming cultural movement that is extending itself worldwide,” director Alejandro Chomski says. “It’s a natural to build a film around.”

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The music emerges as a character that helps drive the story. A Sony BMG Film Production,

in association with Nuyorican Productions, “Feel the Noise” grabs you and doesn’t let go. It’s a coming-of-consciousness tale about a young man who yearns to be a Reggaeton star, combining an irresistible soundtrack with a message to Latino and non-Latino audiences alike.

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“Integrity is priceless and fundamental when you want to accomplish your dream and express yourself as an artist,” Chomski says.

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Rob, played by R&B sensation Omarion Grandberry, wavers at a crossroads. Stalked at home in New York by a merciless gang, he is handed a plane ticket by his mother to Puerto Rico -- a land with which he has more of a kinship than he could have imagined. He stays with his father (Giancarlo Esposito) whom he gave up for dead. Thanks to his half-brother Javi (Victor Rasuk), he falls in love with a music he never noticed. And he meets the alluring CC (Zulay Henao),†finding her own way as a dancer.

The three young leads infuse a fresh energy that the film and music demanded.

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“They were very compelling and the camera loved them,“ Chomski says. “The three were different and had their own personalities in the film. They all won me over in their own way.”

For Omarion, now a solo singer after fronting the group B2K, the film has helped create harmony in his career.

“Acting is very important to me,”†he says. “It gives me the opportunity to not be characterized by one thing. When I think of the people I look up to – Sammy Davis Jr., the Rat Pack – they were entertainers. They sang, they acted, they did everything.”

For director Alejandro Chomski, “Feel the Noise” offered a chance to excel under pressure. It is the first movie from the film division of Sony BMG Music Entertainment, which boasts a cadre of top Reggaeton artists. “I am positive it was the correct project to start with for them, and I am proud to have been part of it,” Chomski says. He also had to please a certain co-producer, the legendary Jennifer Lopez. “I imagine the only instruction was to make a good movie,” he says with a laugh.

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† Lopez, a Sony artist, submitted Albert Leon’s script through her Nuyorican Productions to Sony BMG Film producer Sofia Sondervan. As Sony BMG continued to invest in Reggaeton, Sondervan says the teaming of the music with a movie became inevitable. Lopez attaching her name to the project didn’t hurt either.

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Although the film is mostly in English, Sondervan says she wanted a Spanish-speaking director because “Feel the Noise”†was mostly shot in Puerto Rico (in addition to New York and Los Angeles). She saw the Argentina native Chomski’s previous film, the Spanish-language “Today and Tomorrow” (Hoy y Manana), at the 2003 Cannes Film Festival and was mesmerized by his tale of a young woman’s descent into prostitution.

Chomski applies his narrative strength to “Feel the Noise,” crafting it into a celebration of the music and the optimism of youth. “I wanted to be faithful to Reggaeton’s own roots,” he says. “That’s why we used some actors who were actually the creators of the Reggaeton movement, like Voltio and Vico C.”

Voltio joins a dynamic soundtrack that includes Calle 13, Alexis y Fido, Tego Calderon, Wyclef Jean with Omarion (and Voltio), and the Fugees’ Pras Michel and Cucu Diamantes.

“Feel the Noise” shot over 29 days in June and July of 2006, concluding with the Puerto Rican Day Parade. It is a march that celebrates the island’s pride and one of its hottest exports, the sizzling fusion of rap, reggae and Latin dance rhythm known as Reggaeton.

The movie is aimed at both Latin and non-Latin audiences, the director says, not to mention the growing legion of Omarion fans. Chomski adds, “You can see it and have fun, even if you have no idea what Reggaeton is.”

That said, the mushrooming Reggaeton movement cannot be ignored as a springboard for Latin pride and identity. The Hispanic market is hungry, Chomski says, and “Feel the Noise” could herald a new generation of mass entertainment. “It’s very important that the Hispanic audiences are able to go and see their own stories.”

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The pulsating pace of “Feel the Noise” infuses the scenes with a vibrancy rarely captured in music movies. And the story keeps it real to remind us that growing up is hard and chasing one’s calling might be even harder.

“There are a lot of young people out there who get stuck, caught up in the wrong crowd but want to find themselves and conquer their goals,” Omarion says. “I didn’t have a strong father figure growing up either.”

“Feel the Noise” also transcends mere cultural tolerance and embraces the other. Rob bristles at his new surroundings at first. The bright lights of New York have faded into the tropical sun, where his beloved hip-hop is not the music of choice. But as Chomski points out, “Rob is able to create another type of music that he would never be able to create in Harlem.”

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Rob’s return to New York with Javi and C.C. offers them huge opportunities. The boys get their recording deal and C.C. is on her way to becoming a professional dancer with the help of Rob and Javi‘s hotshot producer. But the trio discovers it’s a land of compromise that seduces more than delivers. It takes truly “going home” again for them to embrace their hopes.

The famous Puerto Rican Day Parade reminds them who they are. And the music -- the hot fusion of hip-hop, reggae and salsa known as Reggaeton – moves them closer to their dream.

A MOVEMENT IS BORN

First lesson about Reggaeton: It is not Hispanic hip-hop. It’s a unique music phenomenon that includes elements of hip-hop. Reggaeton is faster and – dare we say it? -- mas caliente.

It’s a delicious stew spiced from Latin American salsa and bomba and Caribbean reggae and dance hall with a dash of American rap. The lyrics are often steamy to match the hip-grinding beat (care to dance the perreo?), and it’s packing clubs and iPods from San Juan to Harlem to Paris.

Reggaeton has its roots in Panama, where Spanish-language reggae was created in the 1970s by resident Jamaicans whose fathers worked on the Panama Canal. The hybrid made its way to Puerto Rico and merged with Spanish rap popularized by Vico C. in the 1980’s.

In 1991, the throbbing “Dem Bow” beat, based on a song of the same name by Shabba Ranks, became contemporary Reggaeton’s musical foundation.

Reggaeton made its home in Puerto Rico in the new millennium with a wave of locally grown stars.

Now it’s grabbed American youth culture. Street mixes and barrio play have blasted Reggaeton into the mainstream. English-speaking voices are popping up on the tracks, and Reggaeton artists are muscling into the top 10 U.S. charts.

Reggaeton has arrived – and “Feel the Noise” is putting out the welcome mat.

ABOUT THE CAST

OMARION GRANDBERRY (Rob) After making his mark as the lead singer of R&B's multiplatinum quartet B2K, Omarion made his solo debut at No. 1 on the Billboard 200 with the album "O" and followed with "21" late in 2006. He and Bow Wow are

collaborating on a new album. Omarion's resume is expanding in television and film. In addition to "Feel The Noise," Omarion awaits the release of the fright flick "Somebody Help Me." He made primetime appearances on "One on One" and "The Bernie Mac Show" and did his thing on the big screen in the hit film and soundtrack, "You Got Served."

When he gets the chance, he works on his memoirs. "There's a lot about me that my fans don't know," he says. "I've been singing and dancing since I was 5 years old and have made a lot of sacrifices. You don't live a normal life when you're in the limelight."

ZULAY HENAO (C.C.) This Medellin, Colombia native is a rising young talent who has drawn the attention of Hollywood.

Henao was most recently seen on the big screen in “Illegal Tender.” She has also completed roles in the independent film “Grizzly Park,” as well as Stephen Leeds’ “Doorman.”

On television, Henao has guest starred on the original Lifetime series “Army Wives,” as well as the long running NBC series “Law & Order: SVU.” She also starred in the Lifetime movie “Racing for Time,” directed by Charles S. Dutton.

Henao is currently in New York filming “Fighting” (tentative title), opposite Channing Tatum and Terrence Howard, for Universal/Rogue Pictures.

Henao divides her time between New Jersey and Los Angeles.

JAMES McCAFFREY (Jeffrey Skylar) A native New Yorker born and raised in Albany, McCaffrey attended the University of New Haven, where he studied Fine Arts. He began acting in Boston, receiving rave reviews in a controversial stage production of Electra: A Central American Tragedy (Orestes). Upon moving to NYC, he became a proud member of The Actors Studio, studying and working in several productions. McCaffrey started his own theatre company, The Workhouse Theatre in Tribeca. Off-Broadway productions include The Scape, The Florentine, Lovers & Madmen, In Ten Cities and Gross Points with Alec Baldwin.

McCaffrey’s television credits include the lead in NBC’s “Viper” and “Swift Justice” for Dick Wolf Productions and guest appearances on “Civil Wars,” “New York Undercover,” “Law And Order: SVU,” “Law And Order: Criminal Intent” and “Hack”. Most recently, McCaffrey appeared for several seasons on the FX series “Rescue Me” and the ABC Family Series “Beautiful People”. He also starred in two movies of the week, Telling Secrets and Switched At Birth with Rosanna Arquette.

Notable film roles include The Truth About Cats And Dogs opposite Uma Thurman, Hotel Shanghai, American Splendor, The Tic Code, Distress, Spike Lee’s She Hate Me, and Hide & Seek.

KELLITA SMITH (Tanya) is a versatile actress who brings extraordinary vitality and dynamism to both her comedic and dramatic roles. Perhaps best known for her portrayal of the fun-loving, no nonsense wife “Wanda Mac,” on the award winning “The Bernie Mac Show.” Smith’s memorable performances on the television series earned her three NAACP Image Award nominations. “The Bernie Mac Show” ran on the Fox network for five years, garnering such distinguished accolades as EmmyÆ and Peabody Awards, as well as an NAACP Image Award for Outstanding Comedy Series, a TV Critics and Humanitas Award and became a two-time recipient of the Golden Satellite Award.

Born in Chicago and raised in Oakland, Smith’s other television credits include “The Steve Harvey Show,” “The Parkers,” “Moesha” and “NYPD Blue.” She enjoyed recurring roles on “The Jamie Foxx Show,” “Nash Bridges,” “Malcolm and Eddie, “”Sister to Sister” and “Martin.”

Smith’s film credits include performances opposite Jack Nicholson and Sean Penn in

“The Crossing Guard,” and Jada Pinkett-Smith, Whoopi Goldberg and LL Cool J in “Kingdom Come.” She starred in “King’s Ransom” and “Roll Bounce” as well as co-starring in the comedy “Hair Show,” opposite comedienne Mo’Nique.

At the tender age of 8, Smith was picked to narrate a Black Panther Party documentary created to engender a more fair understanding of the party’s objectives. Told through the eyes of a child, the film chronicled the civil rights organization’s contributions to elementary school aged children and the community at large.

Smith’s first foray into acting came with a challenging two-year run in the touring company of the stage play “Telling It Like It Tiz,” a musical comedy which chronicled male/female relationships and helped usher in the popularity of Black stage plays. Her stage credits include “Jeffreys Plan,” “Thirteen Thorn” and “Feelings,” directed by Kim Bailey, for which Smith received a Best Actress theater award from the NAACP.

Smith currently lends her support to a number of philanthropic organizations including the Los Angeles based Women of Essence, a breast cancer support group for which she has helped to raise funds and awareness during the past few years.

MALIK YOBA (The Mayor) Best known for his roles in the Disney classic, “Cool Runnings” and the hit Fox television series “New York Undercover,” Yoba has proven himself as a man driven to raise consciousness through the use of his many talents. This actor, musician, activist, educator, inspirational speaker, playwright and entrepreneur and now author leaves no stone unturned in his quest to educate the community on the value of accountability, integrity, leadership and proper follow through. Born and raised in NYC, Yoba is not a product of his environment but a progression, an example to others that the same inner city streets that breed hatred and violence can give birth to positive ideas and upward mobility. Yoba began educating youth when he was considered a “youth” himself. Realizing at a young age that he had the gift to move others and raise consciousness, he was already very involved in mentoring and after school counseling by age 16.

Before becoming an actor, Yoba was an educator and very respected among his peers in education and community activism. By age 20, he worked with 13 New York City Public schools in a program called AIDP (Attendance Improvement Dropout Prevention), in which he assessed students, faculty and parents needs to improve the quality, content and form of education, thereby improving attendance which was presented to the Board of Education in a book of findings. From the ages of 19 to 24, Yoba was a full time educator and worked with the City Kids Foundation, a NYC based youth leadership organization. By 23 years old, his work had not gone unnoticed and he was appointed vice president of the organization and served from 1991-1993. In 1989, he co-founded the City Kids Foundation branch in Los Angeles. Yoba designed and facilitated workshops on leadership, cultural diversity, community organizing, conflict resolution and self- esteem. He has worked internationally with young people from Johannesburg Secondary School in South Africa to Rikers Island High School and Spafford Detention Center in NY as well as designed and conducted the first ever youth leadership conference in Belize, Central America. Yoba has been recognized by or worked with former President Bill Clinton, The Congress of the United States, The Mayor of New York City, NYPD, UNICEF, McDonald’s Black Achievers, Hale House, The Ethiopian Children’s Fund, The Conference of Black Mayors, The Congressional Black Caucus to name a few for his dedication to youth.

Yoba’s love for the arts is constant, he has been in over 20 films including “Copland,” “Smoke,” “Blue in the Face,” “Hooked Up” “Harlem Aria,” “Vote for Me,” “Ride” and Dreaming in Black and White,” winner of ‘Best Film’ at the 2003 Phoenix Film Festival to name a few. In 2005 he starred in the comedy†"Kids in America," also starring George Wendt, Rosanna Arquette and Nicole Richie. He recently played the recurring character "Ice" on the EmmyÆ award winning comedy "Arrested Development" for Fox Television†and was recently seen in “Criminal,” starring John C. Reilly and Diego Luna. Yoba has also starred in TNT’s first series “Bull” (TNT) and NBC’s short lived series “Kingpin.” He also had a recurring role in the 2003-2005 seasons of “Girlfriends” (UPN). and the FX Network series, "Thief" with Andre Braugher and Linda Hamilton.

Cited by the New York Times Magazine as “An artist who will most likely influence American culture in the next thirty years…” (Nov 1994), Yoba is still on track to fulfilling this prophecy. He served as an arts educator for over 20 years. His theatre company, The Malik Yoba National Theatre (MYNT) Company, creates, acquires, produces and distributes content for the urban theatre market. This is a twenty year old market that is primarily African American females, ages 25-55 yrs old. He has co-written two musicals for stage “What’s on The Hearts of Men” and “Acoustic Chocolate” that have been adapted for screen. The MYNT Company is also a proud sponsor of the Hip Hop Theatre Festival and Yoba is one of the partners in the new publication Urban Theatre and Entertainment Magazine, the first magazine to cover the urban theatre market. He has been a guest on Oprah, Charlie Rose, Regis and Kathy, Donahue, Arsenio Hall to name a few. He has performed as a musical artist at Carnegie Hall and New York’s Theatre at Madison Square Garden. He was co-musical director for the Henson/ABC produced Saturday morning show the “CityKids” and wrote the theme song for the Jamaican bobsled team in the movie “Cool Runnings.”

In 1996 Yoba fulfilled a life long dream of being a restaurateur and became a partner in New York’s Soul CafÈ for nine years until it closed in 2004.

Yoba’s latest creation, Please Return My Phone Call! Preventing the Demise of Personal and Professional Relationships, is THE handbook for business and interpersonal relationships, that is rapidly challenging the thought processes of students, individuals, business owners and billion dollar corporations as it pertains to interpersonal communication, integrity, accountability, leadership, and proper follow through. This book leaves readers “switched on” and conscious of their habits and habits of others in business and life. Since February 2006 he has worked with Citrix, Columbia University Film School, and Yale University, Morgans Hotel Group to name a few (see book bio). His message transcends from middle schools (instilling the idea of accountability) to corporations (confronting habits that cost companies millions).

MELONIE DIAZ (Mimi) With a slew of independent films already under her belt, Diaz is emerging as one of Hollywood’s rising stars. She will next be seen in Michel Gondry’s highly anticipated film Be Kind Rewind with co-stars Jack Black and Mos Def .

Her vast resume includes film performances in Raising Victor Vargas, Tom DiCillo's Double Whammy; Catherine Hardwick’s Lords of Dogtown.; A Guide to Recognizing Your Saints, in which Melonie received a nomination for Best Supporting Actress at the 2007 Independent Spirit Awards; I’ll Come Running and Beautiful Ordinary. She recently completed production on American Son opposite Nick Cannon and is currently in production on The Sophmore co-starring Bruce Willis.

Her theatre work in New York includes Love, Medea at the Bullet Space, The Hip Hop Theater Festival at P.S122 and Woman who Outshone the Son at the NYC Fringe Festival.

Diaz is currently finishing her degree in Film Production at New York University's Tisch School of the Arts.

VICTOR RASUK (Javi) For his feature film debut as the title character in the Sundance Film Festival hit “Raising Victor Vargas,” Rasuk garnered an Independent Spirit Award nomination for Best Debut Performance.

Rasuk also starred as skateboard legend Tony Alva in TriStar Pictures' “Lords of Dogtown,” directed by Catherine Hardwicke. Based on Stacey Peralta's 2001 documentary “Dogtown and Z-Boys,” the film co-starred Heath Ledger, Emile Hirsch, John Robinson and Johnny Knoxville. He recently wrapped Kimberly Peirce's “Stop Loss” with Ryan Phillippe and Abbie Cornish, which is set for release by Paramount Pictures in 2008. Rasuk begins work with director Stephen Soderbergh on “The Argentine,” part one of two films about Che Guevera, starring Benicio Del Toro and Catalina Sandino Moreno later this fall.

Rasuk's credits also include the independent features “Keep Coming Back,” starring William H. Macy and Mos Def, “Life is Hot in Cracktown,” with Kerry Washington and Brandon Routh, “Bonneville,” starring Joan Allen, Kathy Bates and Jessica Lange, an adaptation of Rebecca Gilman's play “Spinning into Butter,” with Sarah Jessica Parker, “Adrift in Manhattan,” (2007 Sundance Film Festival, Dramatic Competition) with Heather Graham and Zackary Adler's “I’m Reed Fish,” with Alexis Bledel, Jay Baruchel and DJ Qualls.

A native New Yorker, Rasuk began acting at age 14. In 1998, he starred in "Five Feet High and Rising," Peter Sollett's short that garnered awards at both the Sundance and Cannes film festivals. Rasuk went on to study acting at the Professional Performing Arts School and HB Studios in Manhattan before collaborating with Sollett again on “Raising Victor Vargas.”

GIANCARLO ESPOSITO (Roberto) has often been referred to as a chameleon for his ability to inhabit many types of characters. He starred opposite Paul Newman in "Twilight" and Clive Owen in "Derailed." He also has distinguished himself in such films as “Sherrybaby,” "The Usual Suspects," Wayne Wang's "Smoke” and "The Last Holiday."

Esposito received a nomination for an Independent Spirit Award for his performance in "Fresh." He is also recognized for his work in several Spike Lee movies, including "Do The Right Thing” and "Malcolm X." A committed stage actor, he has won Obie awards for "Zooman and The Sign" at the Negro Ensemble Company and "Distant Fires" at The Atlantic Theatre Company, where he performs and teaches as a company member.

Esposito has just completed his feature film debut as a writer-director on “Gospel Hill,” which stars Julia Stiles, Angela Bassett, Danny Glover and Taylor Kitsch.

ABOUT THE FILMMAKERS

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ALEJANDRO CHOMSKI (Director) Argentina-born Chomski made an immediate impact when his first movie, “Today and Tomorrow” (“Hoy y Manana) premiered at the 2003 Cannes Film Festival in the Un Certain Regard section. “Today and Tomorrow,” a heartbreaking tale of a woman descending into prostitution, earned him a best director award for a first feature at the Los Angeles International Film Festival.

Chomski studied at the New York Film Academy and was granted a Fulbright Scholarship to attend the American Film Institute, where he got his MFA in directing.

ALBERT LEON (Written by) Born in Hato Rey, Puerto Rico, Leon’s first taste of Hollywood came in 1999 when Oliver Stone came to Miami to shoot “Any Given Sunday.” Leon was hired to serve as Al Pacino’s local assistant. The assignment was temporary, but two years later when Pacino was looking for a new assistant in Los Angeles, Leon was once again hired for the position. He moved to Los Angeles and went on to work for the film legend for the next four years. During that time Leon wrote several scripts, which garnered him some attention. “Feel the Noise” is Leon’s first produced script. He is currently working on several other projects in different stages of development.

SOFIA SONDERVAN (Producer) Sondervan is the Executive Vice President of Feature Film for Sony BMG Music Entertainment, a division she started in August 2005. As part of her mission to develop and produce films integrating music and musical acts, she recently acquired the rights to “Ghosts of Cite Soleil,” produced by Wyclef Jean; as well as “East of Havana,” produced by Charlize Theron, both of which were released earlier this year. “Feel The Noise” is the first film produced by Sony BMG Film.

Sondervan is currently in development on “Cadillac Records,” written and to be directed by Darnell Martin (“Their Eyes Were Watching God”) and “Twist of Fate” to be directed by Peter Howitt (Sliding Doors) and starring Katharine McPhee. She was formerly the head of East Coast production for Ed Pressman and John Schmidt’s ContentFilm, where she produced the Cannes Film Festival selection (Un Certain Regard) “The King,” starring Gael Garcia Bernal and William Hurt; as well as “Party Monster,” among others. Prior to that, Sondervan was the SVP of Acquisitions and Productions for POP.com, a joint venture between Dreamworks SKG and Imagine Entertainment. She previously headed the Acquisitions department for Independent Pictures, an affiliate of New Line Cinema.

JENNIFER LOPEZ (Producer) Actress, singer, producer, entrepreneur; there is nothing Jennifer Lopez cannot do. She has starred in an array of box office hits including MONSTER-IN-LAW and THE WEDDING PLANNER. She is a multi-platinum recording artist and has just released her first Spanish-language album, “Como Ama Una Mujer;” her sixth album to date. The album is currently topping the Billboard Latin chart nailing the #1 spot in its first week, while also making a remarkable #10 debut on the Billboard Top 200 Album chart. Lopez also makes history with the highest sales of a Spanish album debut, inclusive of English and Latin artists.† In addition, “Como Ama Una Mujer” sold more in one week digitally than any other Spanish-language release ever. The video for her first single “Que Hiciste” has been in the MTV TRL countdown for the last seven weeks.† Lopez previously had two albums debuting at #1 on the Billboard charts. Her debut album “On The 6” has sold in excess of 6.7 million copies worldwide. In 2001, Lopez released her second album, “J.Lo”– which has now sold over 8 million worldwide – led by smash hit “Love Don’t Cost A Thing”. In 2001, Lopez made history when she became the first woman to have the number one movie and number one album in the same week. “J.Lo” was number one on the Billboard Top 200 Chart while THE WEDDING PLANNER was the nation’s top-grossing film. She will next be seen in the feature films EL CANTANTE, a drama about the life of salsa legend Hector Lavoe premiering in summer 2007, as well as BORDERTOWN, opposite Antonio Banderas. Lopez produced both films through her production company, Nuyorican. Lopez first earned widespread acclaim for her work in the title role of SELENA, which brought her a Golden Globe nomination. Other film credits include AN UNFINISHED LIFE with Robert Redford and Morgan Freeman; OUT OF SIGHT with George Clooney; THE CELL; MAID IN MANHATTAN; MI FAMILIA, for which she received an Independent Spirit Award nomination; Oliver Stone’s U-TURN; MONEY TRAIN with Woody Harrelson and Wesley Snipes; Francis Ford Coppola’s JACK with Robin Williams; BLOOD AND WINE opposite Jack Nicholson; ANGEL EYES; ENOUGH; and ANACONDA. Via Nuyorican, Lopez also made her foray into the role as Television Producer with her dance-reality show for MTV entitled “Dance Life” as well as the UPN drama, “South Beach.” In 2002, Lopez was awarded “ShoWest Female Star of the Year” and in 2006, Lopez received the “Women in Film: Crystal Award.” Additionally, the National Council of La Raza, the largest Latino advocacy group in the nation, named her “Entertainer of the Year” at the American Latino Media Arts Awards (ALMA) for TV and film. In the same year, Jennifer won the Kids’ Choice Award for Favorite New Music Artist and one of many ALMA Awards for Female Entertainer of the Year.

SIMON FIELDS (Producer) Simon Fields’ innovative, extensive career has made him one of the most successful producers in several areas of entertainment. Fields currently serves as Jennifer Lopez’s producing partner in their production company, Nuyorican Productions. The partnership began as a result of their successful collaboration, “Shall We Dance,” which grossed over $150 million.

Through Nuyorican, Fields is currently producing a large variety of projects including the feature film “Bordertown,” starring Jennifer Lopez and Antonio Banderas, about the women of Juarez. He most recently produced “El Cantante,” the story of Hector Lavoe, starring Lopez and Marc Anthony; and Fields and Lopez are currently in production on a dance competition reality series for MTV entitled Moves.

Born in London in 1955, Fields was educated at the Stowe School. Following graduation, he spent four years in London working his way through the television commercial production ranks before becoming the production manager for the Moving Picture Company. In 1978, Fields became a producer for Jon Roseman Productions and moved to Los Angeles to run their American division. In 1981, he joined forces with Steven Barron to form Limelight, a company active in music video, commercial and feature film production. The company also contained an award-winning television commercial division, handling such prestigious accounts as Calvin Klein, Nike, and Budweiser. As President and CEO, Fields oversaw the growth of annual revenues to $50,000,000, with operations in Los Angeles and London. During his twelve-year tenure at Limelight, Fields was a pioneer in the music video industry, garnering numerous awards for creating groundbreaking videos for Michael Jackson, Madonna, Prince, and Peter Gabriel, among many others. While at Limelight, Fields also produced the hit feature film, “Teenage Mutant Ninja Turtles.”

Fields later teamed up with director Peter Chelsom in developing and producing feature films. Together, they produced the romantic comedy “Hear My Song;” the comedy “Funny Bones;” “The Mighty,” starring Sharon Stone; “Town and Country,” starring Warren Beatty, Diane Keaton, Goldie Hawn and Andie McDowell; and Miramax’s hugely successful “Serendipity,” starring John Cusack and Kate Beckinsale.

Fields currently resides in Los Angeles with his wife and two children.

ANDREW LACK (Executive Producer) As CEO of SONY BMG MUSIC ENTERTAINMENT from August 2004 to February 2006 Mr. Lack oversaw all operations of the global recorded music company, a leading producer and marketer of pre-recorded music and video. From January 2003 to August 2004 he served as Chairman and Chief Executive Officer, Sony Music Entertainment.

Previously, he served as President and Chief Operating Officer for NBC since June of 2001. During his tenure with NBC he oversaw Entertainment, News, including MSNBC and CNBC, NBC Stations, Sales, and Broadcast & Network Operations.

From 1993 to 2001, Mr. Lack was the president of NBC News, where he transformed the News division into the most-watched news organization. NBC Nightly News with Tom Brokaw, Meet the Press, and The Today Show each became No. 1 in their time periods, and the primetime franchise Dateline NBC became a significant part of NBC's primetime programming strategy. Mr. Lack quadrupled the number of Dateline programs produced by NBC news, expanded the Today show to three hours, and was responsible for the creation of Today's streetside, "window on the world" studio in New York's Rockefeller Center.

Before going to NBC, Mr. Lack spent much of his television career at CBS News, where he created and served as the executive producer of the groundbreaking newsmagazine West 57th (1985-89). He served as the senior executive producer of the landmark CBS Reports for nearly a decade (1978-85), producing acclaimed documentaries such as "People Like Us" (1982), "Teddy" with Roger Mudd, "The Boat People" (1979), "The Defense of the United States" (1981), and "Bittersweet Memories: A Vietnam Reunion" (1981). He joined CBS News in 1976 and by the next year had become a prominent producer for 60 Minutes.

Mr. Lack's broadcasts at CBS earned numerous honors, including 16 Emmy Awards, 4 Alfred I. DuPont-Columbia University Journalism Awards, 5 Ohio State Awards, an Oversees Press Club Award, 2 Gravel Awards from the American Bar Association, a George Polk Award and a Clarion Award.

Andrew Lack attended the Sorbonne and received a bachelor of fine arts degree from the School of Fine Arts at Boston University in 1968. He lives in New York with his wife, Betsy Kenny Lack, and their children.

ZORAN POPOVIC (Director of Photography) A native of Serbia, Popovic graduated from the American Film Institute and has been the director of photography on numerous music videos, commercials and feature films.

Popovic’s feature film credits include “Sin,” starring Gary Oldman, Ving Rhames and Brian Cox; “Supermarket,” starring Jeff Goldblum and Darryl Hannah; “Expired,” starring Samantha Morton and Jason Patrick; “The Lost;” and “Trapped Ashes.”

Up next for Popovic is “War, Inc,” starring John Cusack, Ben Kingsley, Marisa Tomei and Hillary Duff.

Popovic currently lives and works in Los Angeles.

MONICA MONSERRATE (Production Designer) Monserrate’s credits as a production designer include the films “Thieves and Liars,” “El Sueno del Regreso,” and “Ala de Colibri,” as well as “Slayer” and “Stranded” for television.

Monserrate was the art director for the films “Yellow,” “Back in the Day,” “Fascination,” and “I, Witness,” as well as “Wuthering Heights” for TV.

BILL PANKOW, A.C.E. (Editor) has enjoyed a long collaboration with renowned director Brian De Palma. Born and raised in New York City, the New York University Film School graduate first worked with De Palma as associate editor on his 1979 homage to Hitchcock, “Dressed to Kill,” and his 1983 gangster epic “Scarface.” Pankow graduated to editor on his 1984 thriller “Body Double,” and continued his affiliation with the filmmaker on “The Untouchables” (1987), “Casualties of War” (1989), “Bonfire of the Vanities” (1990), “Carlito’s Way” (1993), “Snake Eyes” (1998),“Femme Fatale,”

for which he received the Seattle Film Critics Best Editing award for 2002 and also

“The Black Dahlia.” He most recently completed “Redacted” for De Palma, which will be in competition in various film festivals in 2007 including Venice, Deauville, Toronto and New York.

Pankow has also worked with such noted filmmakers as Abel Ferrara (“The Funeral” and “R’Xmas”), Robert Benton (“Still of the Night”) and Paul Schrader (“The Comfort of Strangers”). Other feature credits include “The Tic Code,” “Parents,” “Naked in New York,” “The Money Train,” “Once in the Life,” for director Laurence Fishburne, “Whispers in the Dark,” “The Guys” and films for acclaimed Hong Kong filmmakers Tsui Hark (“ Double Team”) and Ringo Lam (“ Maximum Risk” ), as well as director Charles Stone III’s “ Paid in Full”, “ Drumline” and “ Mr. 3000.” Pankow completed

“Assault on Precinct 13” for director Jean Francois Richet. In addition, last fall he edited Bryan Cole’s “Day Zero,” which premiered at the 2007 Tribeca film festival.

Pankow’s television work includes “Tales from the Dark Side,” the critically-acclaimed FOX series “Tribeca,” “The Equalizer” and the HBO miniseries “The Corner,” for which Pankow received an American Cinema Editors Eddie Award nomination. In 2003 he worked with director John Leguizamo on the HBO feature “Undefeated”.

BUDD CARR (Executive Music Producer) is acknowledged as one of the music industry's top talents in the field of Film Music Supervision. Best known for his work with Academy AwardÆ-winning director Oliver Stone, he has applied his expertise to every Stone film since “Salvador,” including “JFK,” “Platoon,” “The Doors,” “Born on the Fourth of July,” “Natural Born Killers,” “Any Given Sunday,” and "World Trade Center." He has supervised over 70 films and worked with such renowned directors as James Cameron, Michael Mann, Frank Oz, Terry George, Norman Jewison and Mike Newell, among many others.

Carr began his professional music career as an agent with the CMA, IFA and ICM, handling acts such as The Cream, James Taylor, Bob Seger, Carole King, Crosby, Stills, Nash and Young, and Eric Clapton. Launching his own management company in 1980 he has handled the careers of multi-platinum acts such as Kansas, Captain & Tennille, Heatwave, Asia and Slaughter.

Carr served as Executive Music Consultant for Peter Guber’s Mandalay Pictures at both Sony Pictures and Paramount Films, and as the Senior Film Music Supervisor for Windswept Pacific and EMI Music Publishing Companies.

Carr continues to serve as executive music producer and music supervisor for motion pictures, television and soundtracks. With his music supervision partner Nora Felder, their Picture Tunes Music produced the soundtrack album to the critically acclaimed and Academy AwardÆ nominated film “Hotel Rwanda,” and this year they have handled the music for “The Guardian,” “Evan Almighty” and are currently in the midst of releasing an innovative Itunes “3 pack” soundtrack for their new Showtime series “Californication,” starring David Duchovny.

Carr is a member of the Executive Committee of the entertainment division of the City of Hope, serves on the Board of Governors for The National Academy of Recording Arts and Sciences, and is the founder and Co-Chairman of the Grammy Foundation's Film Music Scoring Program.

NORA FELDER (Executive Music Producer) got her start as the Music Events Supervisor for a prominent New York City East Village Club where she coordinated concerts and music release parties for up and coming bands and artists.

Later working with legendary music producer Phil Ramone, Nora honed her A&R development by budgeting and overseeing album projects for artists ranging from Paul Simon and Sinead O’Connor to Les Paul and Iggy Pop.

Felder’s diverse exposure to the varied areas of music proved to be a valuable aspect when she moved to Los Angeles to pursue a career in film music.

Felder’s resume in film and television ranges from working on many Touchstone films to her current partnership with legendary music supervisor Budd Carr.

Together, they have gone on to handle the music for films including “Hotel Rwanda,” “The Guardian” and “Evan Almighty” and are currently in the midst of releasing an innovative Itunes “3 pack” soundtrack for their new Showtime series “Californication,” starring David Duchovny.

ANDRES LEVIN (Music by) Born in Venezuela, Andres Levin spent his early years surrounded by music in his father’s recording studio. He started his own musical endeavors at the age of eight when he began playing guitar. Nine years later, Andres was awarded a full scholarship and left Caracas to study at The Berklee School of Music in Boston. A year later, Andres moved to New York City looking for more hands-on experience as a musician, recording engineer and producer. In New York, his time was divided between internships at top NYC studios and his composition studies at The Julliard School of Music and Brooklyn College.

After only a few weeks as an intern, Andres was hired by famed producer, Nile Rodgers as an in-house arranger and Synclavier programmer. With Nile, Andres collaborated as arranger, programmer and songwriter for Diana Ross, INXS, The B-52’s and many other high profile acts. In 1991, Andres started his own production company called 3^rd Ear Music. He continued to write and produce tracks for artists such as Tina Turner, Chaka Khan, David Byrne, Mica Paris, Gladys Night and CC Peniston.

Having established himself within the R&B and Soul music community, Andres decided to devote more focus to the music of his heritage and began work with more Latin artists. Immediately embraced by the Latin music industry for his innovative sound, Levin’s production work quickly resulted in a number of GRAMMY nominated albums. During this time, Andres wrote and/or produced critically acclaimed records for both pioneering rock artists such as Aterciopelados, Los Amigos Invisibles, El Gran Silencio, Ely Guerra (and more), and famed Brazilian musicians such as Caetano Veloso, Marisa Monte, Carlinhos Brown and Arto Lindsay.

Levin’s work in these two Latin genres led to his contribution of tracks for the Red Hot Organization’s AIDS fundraising records Red Hot + Latin and Red Hot + Rio. The songs produced by Levin were so well received, that The Red Hot Organization asked Andres to take full production control of their next two album projects, Red Hot + Lisbon, and the Fela Kuti tribute album Red Hot + Riot (“#2 Album Of The Year”- New York Times and year-end TOP -10 lists of TIME, Rolling Stone & more). Over the course of these albums, Levin produced tracks for K.D. Lang, D’Angelo, Macy Gray, Meshell N’Degocello, Baaba Maal, Kellis, Common, and Dead Prez.

Following the Red Hot records, Levin decided to develop his own artistic outlet, founded his new production company Fun Machine and formed the group Yerba Buena in which he acts as bandleader, writer & producer. With a wealth of critical praise to their credit, the Grammy-nominated group has become the leading ambassadors of the modern Latin Fusion sound of New York City. Combining Afro-Cuban, Afro-Beat, Hip-hop and many more elements, Yerba has developed a highly unique musical style that Interview Magazine called “…the future sound of Afro-Latin Urban America” and the New York Times describes as “a musicologist's dream… a joyful, ever-evolving, border-hopping groove… something serious gained for [popular music].”

The continued success of both Levin’s production work and Yerba Buena has now brought Andres’ distinctive sound to the attention of Hollywood and he has begun to realize a long-desired career as a film composer. Recently, Levin has composed scores for “El Cantante” (the Jennifer Lopez/Marc Anthony biography of Latin Music legend Hector Lavoe), the upcoming Lions Gate films “Borderland” and “Ladron que roba Ladron. Songs by Levin have also been heard in recent years in popular TV shows and films like “Dirty Dancing: Havana Nights,” “Cheaper By The Dozen,” “ER,” “Entourage,” “CSI Miami” and “Third Watch.” Simultaneously, Levin has continued his collaboration with a vast array of world renowned artists, producing and/or writing recent records for Eliane Elias, Orishas, Ana Torroja, Paulina Rubio, Rob Thomas, and Miguel Bose.

KIM TAYLOR-COLEMAN’s (Casting by) feature film credits include “Beauty Shop,” “Bringing Down the House,” “Ali,” “The Last Samurai,” “Inside Man,” Akeelah and the Bee,” “Take the Lead,” “Make it Happen,” and “First Sunday.”

Taylor-Coleman’s television credits include original casting for Showtime’s “Sleeper Cell,” “Shark,” “Everybody Hates Chris,” and HBO’s untitled Kanye West project.

She is currently casting Spike Lee’s next film, “Miracle at St. Anna.”

^{“ACADEMY AWARDS Ò ” and “OSCARÒ
” are the registered trademarks and service marks of the Academy of Motion
Picture Arts and Sciences.
“EMMYÆ”
is the registered trademark of the Academy of Television Arts and Sciences
and the National Academy of Television Arts and Sciences.}

TriStar Pictures presenta una producciÛn de Sony BMG Film,

en asociaciÛn con Nuyorican Productions

Tuvo que encontrar la m·sica para encontrarse a sÌ mismo.

CR…DITOS PRINCIPALES

REPARTO

Omarion Grandberry ……………Rob

Zulay Henao………….………….C.C.

James McCaffrey……..Jeffrey Skylar

Kellita Smith……………..……..Tanya

Malik Yoba………….…….The Mayor

Melonie Diaz ………..…………..Mimi

Victor Rasuk ………………….….Javi

Giancarlo Esposito….…..…..Roberto

DIRECTOR

Alejandro Chomski

ESCRITOR

Albert Leon

PRODUCTORES

Sofia Sondervan

Jennifer Lopez

Simon Fields

PRODUCTOR EJECUTIVO

Andrew Lack

BANDA SONORA

Cut Off Time / Omarion con la colaboraciÛn de Kat DeLuna

Coqui / Omarion con la colaboraciÛn de Wyclef and Voltio

Chevere / Voltio con la colaboraciÛn de Notch

Get Down / W7

Eso Ehh…!! / Alexis & Fido

No Quiere Novio / Nejo con la colaboraciÛn de Tego Calderon

Atrevete Te Te Te / Calle 13

Hey Ladies / Lisa M

Espaldota / Dombi

Pa La Calle / Pras Michel

Chulin Culin Chunfly / Voltio

Templeque / John Eric

Tengo El Control / Johnny Prez

TriStar Pictures presenta una producciÛn de Sony BMG Film,

en asociaciÛn con Nuyorican Productions

Sinopsis

Tras una pelea con matones locales, el aspirante a rapero de Harlem Rob (Omarion Grandberry) huye a otro lugar junto a su padre al que nunca conociÛ (Giancarlo Esposito). AllÌ encuentra su salvaciÛn en el Reggaeton, una mezcla picosa de hip-hop, reggae y ritmos latinos. Puerto Rico, la casa espiritual de este movimiento musical, inspira a Rob y a su hermanastro Javi (Victor Rasuk) a seguir su sueÒo de convertirse en estrellas del Reggaeton. Juntos y con la ayuda de una bailarÌna llamada C.C. (Zulay Henao) aprenden lo que significa ser honestos consigo mismos y con el otro, mientras superar·n obst·culos en el amor, la codicia y la soberbia, culminando todo esto en una explosiva actuaciÛn en el Desfile del DÌa de Puerto Rico en New York.

TriStar Pictures presenta FEEL THE NOISE, una producciÛn de Sony BMG Film, en asociaciÛn con Nuyorican Productions. Est· protagonizada por Omarion Grandberry, Zulay Henao, James McCaffrey, Kellita Smith, Malik Yoba, Melonie Diaz, con Victor Rasuk y Giancarlo Esposito. FEEL THE NOISE est· dirigida por Alejandro Chomski, escrita por Albert Leon y producida por Sofia Sondervan, Jennifer Lopez y Simon Fields. Andrew Lack es el productor ejecutivo. Kim Taylor-Coleman hizo el casting, la m·sica es de Andres Levin y los productores ejecutivos musicales son Budd Carr y Nora Felder. Los editores son Bill Pankow, A.C.E., Suzy Elmiger, A.C.E., y Nico Sarudiansky. La diseÒadora de producciÛn es Monica Monserrate y el director de fotografÌa es Zoran Popovic.

FEEL THE NOISE est· clasificada PG-13 por sensualidad e insinuaciones, violencia, algo de uso de drogas y lenguaje.

*********

Rob (Omarion Grandberry) quiere rapear en New York, pero su madre est· preocupada por su supervivencia. Cuando le disparan, ella decide enviarle a Puerto Rico a vivir con su padre Roberto (Giancarlo Esposito). Rob, que no conocÌa ni siquiera la existencia de su padre, trata de disfrutar al m·ximo de este tiempo que sabe que le marcar· hasta que sea seguro volver a casa.

†

Su hermanastro Javi (Victor Rasuk), un experto en m·sica digital y un DJ online, introduce a Rob en el Reggaeton. Visitan los clubes del gueto La Perla en Puerto Rico, y la m·sica levanta la pasiÛn de Rob. A pesar de que su padre, un antiguo m·sico, no le apoya, Rob y Javi comienzan a hacer m·sica juntos. Javi enseÒa a Rob a integrar el rap en el r·pido ritmo del Reggaeton.

†

Crean una canciÛn pegadiza de la que C.C. (Zulay Henao), la chica por la que Rob se siente atraÌdo, est· convencida de que se convertir· en un Èxito. Mientras tanto, el celoso ex-novio de C.C. (Vico C) aparece como una amenaza para los chicos y su familia.

C.C. presenta al valiente d·o a un conocido productor (James McCaffrey) que firma con ellos un contrato. Rob, Javi y C.C. marchan a New York para buscar su futuro mientras Rob debe todavÌa resolver una situaciÛn del pasado. Lo que al principio parece la bienvenida perfecta para Rob – grabar en un lujoso estudio y quedarse gratis en lugares elegantes – comienza a cambiar.

†

Mientras el famoso Desfile del DÌa de Puerto Rico en New York. se aproxima, los tres intentan unir sus sueÒos y su respeto personal antes de que sea demasiado tarde.

SOBRE LA PRODUCCI”N

†
El Reggaeton, la calurosa mezcla de rap, reggae, salsa y bomba, se transformÛ en el centro de una pelÌcula porque asÌ tenÌa que ser. La m·sica es demasiado contagiosa, demasiado poderosa... demasiado caliente.

†“Es un movimiento cultural emergente que se est· extendiendo r·pidamente por todo el mundo,” dice el director Alejandro Chomski. “Era natural construir una pelÌcula alrededor de Èl.”

†

La m·sica se convierte en un personaje que ayuda a construir la historia. Una producciÛn de Sony BMG Film, en asociaciÛn con Nuyorican Productions, “Feel the Noise” te agarra y no te suelta. Es la historia de toma de conciencia de un joven que aspira a ser una estrella del Reggaeton, combinando una banda sonora irresistible con un mensaje igual para audiencias latinas y no latinas.

†

“La integridad no tiene precio y es fundamental cuando quieres conseguir tu sueÒo y expresarte como artista,” dice Chomski.

†

Rob, interpretado por la sensaciÛn del R&B Omarion Grandberry, se encuentra en un cruce de caminos . Acosado en New York por una banda sin piedad, recibe de su madre un ticket de aviÛn a Puerto Rico, una tierra en la que tiene m·s parentesco de lo que jam·s podrÌa haber imaginado. Se queda con su padre (Giancarlo Esposito) quien creÌa que estaba muerto. Gracias a su hermanastro Javi (Victor Rasuk), se enamora de una m·sica en la que antes jam·s se habÌa fijado y conoce a la encantadora CC (Zulay Henao),†que trata de establecer su camino como bailarina.

Los tres jÛvenes protagonistas aportan la energÌa fresca que esta pelÌcula y esta m·sica pedÌan.

†

“Eran muy convincentes y muy buenos en c·mara,“ dice Chomski. “Los tres eran diferentes y tenÌan su propia personalidad en la pelÌcula. Todos me convencieron a su manera.”

Para Omarion, ahora cantante solista tras haber estado al frente del grupo B2K, la pelÌcula le ha ayudado a crear armonÌa en su carrera.

“Actuar es muy importante para mÌ,”†dice. “Me da la oportunidad de no ser sÛlo caracterizado por una cosa. Cuando pienso en la gente a la que admiro – Sammy Davis Jr., the Rat Pack – eran todos artistas del entrenimiento. Cantaban, actuaban, hacÌan de todo.”

Para el director Alejandro Chomski, “Feel the Noise” le dio una oportunidad de sobresalir bajo la presiÛn. Es su primera pelÌcula para la division de cine Sony BMG Music Entertainment, que presume de tener algunos de los artistas m·s importantes del Reggaeton. “Estoy seguro de que Èsta era la primera pelÌcula con la que ellos debÌan comenzar y estoy orgulloso de haber formado parte de ella,” dice Chomski. Adem·s tuvo que agradar a cierta co-productora, la legendaria Jennifer Lopez. “Supongo que las ·nicas instrucciones eran hacer una buena pelÌcula,” dice riendo.

†

Lopez, artista de Sony, presentÛ a travÈs de Nuyorican Productions el guiÛn de Albert Leon a la productora Sofia Sondervan de Sony BMG Film. Como Sony BMG continuaba invirtiendo en Reggaeton, Sondervan dice que la uniÛn de la m·sica con una pelÌcula era inevitable. Que Lopez uniera su nombre al proyecto tampoco hacÌa daÒo.

†

A pesar de que la mayorÌa de la pelÌcula es en inglÈs, Sondervan querÌa un director que hablase espaÒol porque “Feel the Noise”†fue mayormente rodada en Puerto Rico (adem·s de en New York y en Los Angeles). Sondervan vio la pelÌcula anterior que Chomski habÌa rodado en su Argentina local, la pelÌcula en espaÒol “Today and Tomorrow” (Hoy y MaÒana), en el Festival de Cine de Cannes 2003 y quedÛ hipnotizada por este relato del descenso de una mujer joven al mundo de la prostituciÛn.

Chomski aplica su fuerza narrativa a “Feel the Noise,” creando una celebraciÛn de la m·sica y el optimismo de la juventud. “QuerÌa ser autÈntico con las raÌces del Reggaeton,” dice. “Por eso utilizamos algunos actores que fueron realmente los creadores del movimiento Reggaeton, como Voltio y Vico C.”

Voltio forma parte de una banda sonora que incluye a Calle 13, Alexis y Fido, Tego Calderon, Wyclef Jean con Omarion (y Voltio), y los miembros de Fugees Pras Michel y Cucu Diamantes.

“Feel the Noise” fue filmada durante 29 dÌas en junio y julio de 2006, terminando con el desfile del DÌa de Puerto Rico. Esta es una marcha que celebra el orgullo de la isla y uno de los valores que m·s trasciende: la vibrante fusiÛn de rap, reggae y ritmos de danza latina conocida como Reggaeton.

La pelÌcula se dirige a audiencias latinas y no latinas, dice el director, sin mencionar a la creciente legion de fans de Omarion. “Puedes verla y divertirte, aunque no tengas ni idea de quÈ es el Reggaeton.”

Una vez dicho esto el movimiento en expansiÛn conocido como Reggaeton no puede ser ignorado como una lanzadera del orgullo y la identidad latina. El mercado hispano est· hambriento, dice Chomski, y “Feel the Noise” podrÌa anunciar una nueva generaciÛn de entretenimiento de masas. “Es muy importante que las audiencias hispanas puedan ir y ver sus propias historias.”

†

El palpitante ritmo de “Feel the Noise” da a las escenas una vibraciÛn rara vez capturada en las pelÌculas de m·sica. Y la historia se mantiene real para recordarnos que crecer es duro y seguir la llamada del destino puede ser todavÌa m·s duro.

“Hay mucha gente joven ahÌ fuera que queda atrapada con la gente equivocada pero a·n quiere encontrarse a sÌ misma y lograr sus sueÒos,” dice Omarion. “Yo tampoco tuve una importante figura paterna mientras crecÌa.”

“Feel the Noise” tambiÈn trasciende la mera tolerancia cultural y abre los brazos al otro. Rob est· incÛmodo por lo que le rodea al principio. Las luces brillantes de New York se han convertido en el sol tropical, donde su amado hip-hop no es la m·sica favorita de los jÛvenes. Pero como Chomski seÒala, “Rob es capaz de crear otro tipo de m·sica que jam·s hubiera sido capaz de crear en Harlem.”

†

La vuelta de Rob a New York en compaÒÌa de Javi y C.C. les da grandes oportunidades. Los chicos consiguen un contrato de grabaciÛn y C.C. est· en camino de convertirse en una bailarina profesional con la ayuda del importante productor de Rob y Javi. Pero el trÌo descubre que se trata de una tierra que compromete y seduce m·s que da frutos. Realmente deben “volver a casa” de nuevo para recuperar la esperanza.

El conocido Desfile del DÌa de Puerto Rico les recuerda quiÈnes son. Y la m·sica -- la vibrante fusiÛn de hip-hop, reggae y salsa conocida como Reggaeton – les lleva m·s cerca de su sueÒo.

NACE UN MOVIMIENTO

Primera lecciÛn sobre el Reggaeton: No es hip-hop hispano. Es un fenÛmeno musical ·nico que incluye elementos del hip-hop. El Reggaeton es m·s r·pido y… ølo decimos? M·s caliente.

Es un delicioso estofado sazonado con la salsa y bomba latinoamericana y el reggae y la m·sica de baile caribeÒa mezclado con un poquito de rap americano. Las letras son a menudo erÛticas para acompaÒar al movimiento de las caderas (øte apetece bailar el perreo?), y est· haciendo que los clubs y los iPods se llenen desde San Juan hasta Harlem a Paris.

El Reggaeton tiene sus raÌces en Panam·, donde el reggae hablado en espaÒol fue creado en los 70 por los residentes jamaicanos cuyos padres trabajaron en el Canal de Panam·. El hÌbrido se encaminÛ hacia Puerto Rico y se mezclÛ con el rap en espaÒol popularizado por Vico C. en los 80.

En 1991, el vibrante comp·s “Dem Bow”, basado en una canciÛn con el mismo nombre de Shabba Ranks, se convirtiÛ en la base musical contempor·nea del Reggaeton.

El Reggaeton hizo de Puerto Rico su casa en el nuevo milenio con una ola de estrellas locales.

Ahora ha llegado a la cultura americana joven. Mezclas en las calles y actuaciones de barrio han hecho que el Reggaeton llegue a las grandes audiencias. Voces de habla inglesa est·n destacando en las pistas y llegando a las listas de Èxito top 10 de Estados Unidos. .

El Reggaeton ha llegado y “Feel the Noise” est· poniendo la alfombra de bienvenida.

SOBRE EL REPARTO

OMARION GRANDBERRY (Rob) DespuÈs de haber dejado huella como el lÌder cantante del cuarteto multiplatino de R&B B2K, Omarion hizo su debut en solitario como n·mero 1 en la lista de Èxitos Billboard 200 con el ·lbum "O" al que siguiÛ con "21" m·s tarde en 2006. El y Bow Wow est·n colaborando en un nuevo ·lbum. La trayectoria de Omarion se est· expandiendo en televisiÛn y cine. Adem·s de "Feel The Noise," Omarion espera el lanzamiento de la pelÌcula de terror "Somebody Help Me." Ha hecho actuaciones en horarios de m·xima audiencia en "One on One" y "The Bernie Mac Show" y actuÛ en la gran pantalla en la pelÌcula de Èxito y banda sonora "You Got Served."

Cada vez que encuentra un momento, trabaja en sus memorias. "Hay mucho de mÌ que mis seguidores desconocen, " dice. "He estado cantando y bailando desde que tenÌa 5 aÒos y he hecho muchos sacrificios. No vives una vida normal cuando est·s en un primer plano."

ZULAY HENAO (C.C.) Esta natural de MedellÌn, Colombia, es un joven talento en ascenso que ha llamado la atenciÛn de Hollywood.

A Henao se le ha visto m·s recientemente en la gran pantalla en “Illegal Tender.” TambiÈn ha completado roles en la pelÌcula independiente “Grizzly Park,” asÌ como en la pelÌcula de Stephen Leeds “Doorman.”

En televisiÛn, Henao ha actuado como invitada en la serie original de Lifetime “Army Wives,” asÌ como en la exitosa serie de NBC “Law & Order: SVU.” TambiÈn actuÛ en la pelÌcula de Lifetime “Racing for Time,” dirigida por Charles S. Dutton.

Henao est· actualmente en New York rodando “Fighting” (tÌtulo provisional), junto a Channing Tatum y Terrence Howard, para Universal/Rogue Pictures.

Henao pasa su tiempo entre New Jersey y Los Angeles.

JAMES McCAFFREY (Jeffrey Skylar) Natural de New York y criado en Albany, McCaffrey acudiÛ a la Universidad de New Haven, donde estudiÛ Bellas Artes. ComenzÛ en la actuaciÛn en Boston, recibiendo buenas crÌticas en una producciÛn teatral controvertida de Electra: A Central American Tragedy (Orestes). Tras mudarse a NYC, se convirtiÛ en un orgulloso miembro de The Actors Studio, estudiando y trabajando en varias producciones. McCaffrey comenzÛ su propia compaÒÌa de teatro, The Workhouse Theatre en Tribeca. Sus producciones off-Broadway incluyen: The Scape, The Florentine, Lovers & Madmen, In Ten Cities y Gross Points con Alec Baldwin.

Los crÈditos en televisiÛn de McCaffrey incluyen el principal en “Viper” de NBC, “Swift Justice” para Dick Wolf Productions y apariciones como invitado en “Civil Wars,” “New York Undercover,” “Law And Order: SVU,” “Law And Order: Criminal Intent” y “Hack”. M·s recientemente, McCaffrey apareciÛ durante varias temporadas en la serie de FX “Rescue Me” y en la serie familiar de ABC “Beautiful People”. TambiÈn actuÛ en dos pelÌculas de la semana, Telling Secrets y Switched At Birth con Rosanna Arquette.

Roles notables en pelÌculas incluyen: The Truth About Cats And Dogs junto a Uma Thurman, Hotel Shanghai, American Splendor, The Tic Code, Distress, She Hate Me de Spike Lee y Hide & Seek.

KELLITA SMITH (Tanya) es una actriz vers·til que aporta una extraordinaria vitalidad y dinamismo tanto a sus roles cÛmicos como a los dram·ticos. Quiz· sea m·s conocida por su retrato de la mujer amiga de las diversiones y sin cabeza “Wanda Mac,” en el premiado show “The Bernie Mac Show”. Las actuaciones memorables de Smith en la serie de televisiÛn le otorgaron tres nominaciones a los Premios NAACP Image. “The Bernie Mac Show” se emitiÛ en la cadena Fox durante cinco aÒos, recibiendo elogios distinguidos como Premios EmmyÆ y Peabody, asÌ como un Premio NAACP Image a Serie Sobresaliente de Comedia, un Premio TV Critics and Humanitas, y recibiÛ dos veces el Premio Golden Satellite.

Nacida en Chicago y criada en Oakland, otros crÈditos en televisiÛn de Smith incluyen: “The Steve Harvey Show,” “The Parkers,” “Moesha” y “NYPD Blue.” DisfrutÛ de roles secundarios en “The Jamie Foxx Show,” “Nash Bridges,” “Malcolm and Eddie, “”Sister to Sister” y “Martin.”

Los crÈditos en cine de Smith incluyen actuaciones junto a Jack Nicholson y Sean Penn en

“The Crossing Guard,” y con Jada Pinkett-Smith, Whoopi Goldberg y LL Cool J en “Kingdom Come.” ActuÛ en “King’s Ransom” y “Roll Bounce” asÌ como en la comedia “Hair Show,” junto a la cÛmica Mo’Nique.

A la temprana edad de 8, Smith fue elegida para narrar un documental del Black Panther Party creado para engendrar un entendimiento m·s justo de los objetivos del grupo. Contado desde los ojos de un niÒo, la pelÌcula hace una crÛnica de las contribuciones de la organizaciÛn de los derechos civiles a niÒos en edad de la escuela elemental y a la comunidad en general.

La primera incursiÛn de Smith en la actuaciÛn vino con el reto de dos aÒos en una compaÒÌa itinerante con la obra de teatro “Telling It Like It Tiz,” una comedia musical que hace una crÛnica de las relaciones entre hombres y mujeres y que ayudÛ a establecer la popularidad de obras de teatro negro. Sus crÈditos en el escenario incluyen: “Jeffreys Plan,” “Thirteen Thorn” y “Feelings,” dirigida por Kim Bailey, por la que Smith recibiÛ un premio a Mejor Actriz de NAACP.

Smith actualmente da su apoyo a un n·mero de organizaciones filantrÛpicas incluyendo la basada en Los Angeles Women of Essence, un grupo de apoyo al c·ncer de mama al que ha ayudado a recaudar fondos y a extender el conocimiento durante los ·ltimos aÒos.

MALIK YOBA (The Mayor) M·s conocido por su rol en el cl·sico de Disney, “Cool Runnings” y en la serie de televisiÛn de Èxito de Fox “New York Undercover,” Yoba ha probado ser un hombre capaz de levantar conciencia social a travÈs del uso de sus talentos. Este actor, m·sico, activista, educador, orador inspiracional, dramaturgo, empresario y ahora autor mueve cielo y tierra en su misiÛn de educar a la comunidad en los valores de la responsabilidad, integridad, liderazgo, y de llevar las cosas a buen tÈrmino. Nacido y criado en NYC, Yoba no es un fruto de su entorno sino una progresiÛn, un ejemplo para otros de que en las mismas calles del centro de la ciudad donde se produce odio y violencia tambiÈn se pueden generar ideas positivas y una movilidad creciente. Yoba comenzÛ educando a los jÛvenes cuando Èl mismo era considerado un joven. Siendo consciente desde muy temprana edad de que tenÌa el don de movilizar a otros y aumentar la conciencia social, se involucrÛ en ser mentor y consejero despuÈs de la escuela cuando tenÌa 16 aÒos

Antes de convertirse en actor, Yoba fue un educador muy respetado entre sus colegas dentro de la educaciÛn y activismo comunitario. Para cuando tenÌa 20 aÒos, habÌa trabajado con 13 escuelas p·blicas de New York City en un programa llamado AIDP (Attendance Improvement Dropout Prevention- Mejora de la Asistencia PrevenciÛn de Deserciones), en el que evaluaba las necesidades de los estudiantes, profesores y padres para mejorar la calidad, el contenido y la forma de educaciÛn, y en consecuencia mejorar la asistencia a clase y que fue presentado al Consejo de EducaciÛn en un libro de conclusiones. Desde los 19 a los 24, Yoba fue un educador a tiempo completo y trabajÛ con la FundaciÛn City Kids, una organizaciÛn de juventudes lÌderes basada en NYC. Para cuando tenÌa 23 aÒos, su trabajo no habÌa pasado desapercibido y fue nombrado vicepresidente de la organizaciÛn donde sirviÛ desde 1991 a 1993. En 1989, co-fundÛ una delegaciÛn de la FundaciÛn City Kids en Los Angeles. Yoba diseÒÛ y facilitÛ talleres sobre el liderazgo, la diversidad cultural, la organizaciÛn de la comunidad, la resoluciÛn de conflictos y la autoestima. Ha trabajado internacionalmente con gente joven de la Johannesburg Secondary School en South Africa o del Rikers Island High School y hasta del Spafford Detention Center en NY, asÌ como diseÒado y conducido la primera conferencia de liderazgo juvenil en Belize, AmÈrica Central. Yoba ha sido reconocido por su dedicaciÛn a la juventud y tambiÈn ha trabajado con el antiguo presidente Bill Clinton, el Congreso de los Estados Unidos, el alcalde de New York City, NYPD, UNICEF, McDonald’s Black Achievers, Hale House, The Ethiopian Children’s Fund, The Conference of Black Mayors, y The Congressional Black Caucus por nombrar algunos.

La pasiÛn de Yoba hacia las artes es constante. Ha aparecido en m·s de 20 pelÌculas incluyendo: “Copland,” “Smoke,” “Blue in the Face,” “Hooked Up” “Harlem Aria,” “Vote for Me,” “Ride” y “Dreaming in Black and White,” ganadora del premio a ‘Mejor PelÌcula’ en el Festival de Cine de Phoenix de 2003 por nombrar algunas. En 2005 actuÛ en la comedia "Kids in America," tambiÈn protagonizada por George Wendt, Rosanna Arquette y Nicole Richie. Recientemente ha interpretado el rol secundario del personaje de "Ice" en la comedia ganadora del EmmyÆ "Arrested Development" para Fox Television†y recientemente se le vio en “Criminal,” junto a John C. Reilly y Diego Luna. Yoba tambiÈn ha actuado en la primera serie de TNT “Bull” (TNT) y en la serie de NBC de corta vida “Kingpin.” TambiÈn tiene un rol secundario en la temporada de 2003 y 2005 de “Girlfriends” (UPN) y en la serie de FX Network, "Thief" con Andre Braugher y Linda Hamilton.

La revista New York Times Magazine le ha nombrado como “un artista que influir· lo m·s probablemente en la cultura americana en los prÛximos 30 aÒos…” (noviembre, 1994), Yoba est· todavÌa en camino para cumplir esta profecÌa. Fue educador de artes durante 20 aÒos. Su compaÒÌa de teatro, The Malik Yoba National Theatre (MYNT), crea, adquiere, produce y distribuye contenido para el mercado del teatro urbano. Este el un mercado de 20 aÒos de antig¸edad formado principalmente por mujeres africano-americanas con edades entre los 25 y los 55 aÒos. Ha co-escrito dos musicales para el escenario “What’s on The Hearts of Men” y “Acoustic Chocolate” que han sido adadptados para la pantalla. La compaÒÌa MYNT es tambiÈn un sponsor orgulloso del Hip Hop Theatre Festival y Yoba es uno de los socios de la nueva publicaciÛn Urban Theatre and Entertainment Magazine, la primera revista para cubrir el mercado de teatro urbano. Ha sido invitado al show de Oprah, Charlie Rose, Regis y Kathy, Donahue y Arsenio Hall, por nombrar algunos. Ha actuado como artista musical en Carnegie Hall y en el Teatro de New York en el Madison Square Garden. Fue co-director musical para el show del s·bado a la maÒana producido por Henson/ABC “CityKids” y escribiÛ el tema musical para el equipo de trineo jamaicano en el pelÌcula “Cool Runnings.”

En 1996 Yoba cumpliÛ un sueÒo de toda la vida de ser restaurador y convertirse en un socio del Soul CafÈ de New York durante nueve aÒos hasta que cerrÛ en 2004.

La ·ltima creaciÛn de Yoba, Please Return My Phone Call! Preventing the Demise of Personal and Professional Relationships, es EL manual de negocios y relaciones interpersonales que est· r·pidamente desafiando los meditados procesos de estudiantes, individuos, propietarios de negocios y corporaciones billonarias ya que se habla de la comunicaciÛn interpersonal, la integridad, la responsabilidad, el liderazgo, y el llevar la cosas a buen tÈrmino. Este libro deja a los lectores “encendidos” y conscientes de sus h·bitos y de los h·bitos de los otros en el negocio y en la vida. Desde febrero de 2006 ha trabajado con Citrix, la Escuela de Cine de la Universidad de Columbia, Yale University y Morgans Hotel Group, por nombrar a algunos (ver biografÌa). Su mensaje trasciende desde las escuelas secundarias (infundiendo la idea de responsabilidad) hasta las corporaciones (enfrentando h·bitos que cuestan millones a las compaÒÌas).

MELONIE DIAZ (Mimi) Con un montÛn de pelÌculas independientes a sus espaldas, Diaz est· destacando como una de las estrellas m·s crecientes de Hollywood. Se le ver· prÛximamente en la muy anticipada pelÌcula de Michel Gondry Be Kind Rewind junto a Jack Black y Mos Def .

Su amplio currÌculum incluye actuaciones en Raising Victor Vargas, Double Whammy de Tom DiCillo; Lords of Dogtown de Catherine Hardwick; A Guide to Recognizing Your Saints, en la que Melonie recibiÛ una nominaciÛn a Mejor Actriz Secundaria en los Premios Independent Spirit de 2007; I’ll Come Running y Beautiful Ordinary. Recientemente completÛ la producciÛn de American Son junto a Nick Cannon y actualmente est· en producciÛn de The Sophmore junto a Bruce Willis.

Su trabajo en teatro en New York incluye Love, Medea en el Bullet Space, The Hip Hop Theater Festival en P.S122 y Woman who Outshone the Son en el NYC Fringe Festival.

Diaz est· actualmente terminando su tÌtulo en ProducciÛn Cinematogr·fica en la Tisch School of the Arts de la Universidad de New York.

VICTOR RASUK (Javi) Por su debut en el cine interpretando al personaje que da tÌtulo al Èxito del Festival de Cine de Sundance “Raising Victor Vargas,” Rasuk recibiÛ una nominaciÛn al Premio Independent Spirit a Mejor ActuaciÛn Debut.

Rasuk tambiÈn interpretÛ a la leyenda del skateboard Tony Alva en la pelÌcula de TriStar Pictures “Lords of Dogtown,” dirigida por Catherine Hardwicke. Basada en el documental de Stacey Peralta de 2001 “Dogtown and Z-Boys,” la pelÌcula fue co-protagonizada por Heath Ledger, Emile Hirsch, John Robinson y Johnny Knoxville. Recientemente terminÛ la pelÌcula de Kimberly Peirce “Stop Loss” con Ryan Phillippe y Abbie Cornish, que ser· estrenada por Paramount Pictures en 2008. M·s tarde durante el otoÒo Rasuk comenzar· a trabajar con Stephen Soderbergh en “The Argentine,” primera parte de las dos pelÌculas sobre Che Guevara, protagonizadas por Benicio Del Toro y Catalina Sandino Moreno.

Los crÈditos de Rasuk tambiÈn incluyen las pelÌculas independientes “Keep Coming Back,” protagonizada por William H. Macy y Mos Def; “Life is Hot in Cracktown,” con Kerry Washington y Brandon Routh; “Bonneville,” protagonizada por Joan Allen, Kathy Bates y Jessica Lange; una adaptaciÛn de la obra de teatro de Rebecca Gilman “Spinning into Butter,” con Sarah Jessica Parker; “Adrift in Manhattan,” (estrenada en 2007 en la CompeticiÛn Dram·tica del Festival de Cine de Sundance) con Heather Graham, y la pelÌcula de Zackary Adler “I’m Reed Fish,” junto a Alexis Bledel, Jay Baruchel y DJ Qualls.

Original de New York, Rasuk comenzÛ a actuar a la edad de 14 aÒos. En 1998, protagonizÛ "Five Feet High and Rising." Este cortometraje de Peter Sollett recibiÛ premios en los festivales de Sundance y Cannes. Rasuk pasÛ a estudiar en la Professional Performing Arts School y los HB Studios de Manhattan antes de colaborar de nuevo con Sollett en “Raising Victor Vargas.”

GIANCARLO ESPOSITO (Roberto) ha sido descrito frecuentemente como un camaleÛn por su habilidad de convertirse en todo tipo de personajes. ActuÛ junto a Paul Newman en "Twilight" y junto a Clive Owen en "Derailed." TambiÈn ha participado en pelÌculas como “Sherrybaby,” "The Usual Suspects," la pelÌcula de Wayne Wang "Smoke” y "The Last Holiday."

Esposito recibiÛ una nominaciÛn al Premio Independent Spirit por su actuaciÛn en "Fresh." TambiÈn ha sido reconocido por su trabajo en varias pelÌculas de Spike Lee, incluyendo "Do The Right Thing” y "Malcolm X." Un comprometido actor de teatro, ha ganado el premio Obie por "Zooman and The Sign" para el Negro Ensemble Company y "Distant Fires" para The Atlantic Theatre Company, donde act·a y enseÒa como miembro de la compaÒÌa.

Esposito ha completado su debut como escritor y director en “Gospel Hill,” que protagonizan Julia Stiles, Angela Bassett, Danny Glover y Taylor Kitsch.

SOBRE LOS CINEASTAS

†

ALEJANDRO CHOMSKI (Director) Natural de Argentina, Chomski impactÛ de forma inmediata cuando su primera pelÌcula, “Today and Tomorrow” (“Hoy y MaÒana”) se estrenÛ en el Festival de Cine de Cannes en 2003 en la secciÛn Un Certain Regard. “Today and Tomorrow,” un relato sobre el descenso de una mujer joven al mundo de la prostituciÛn, le otorgÛ un premio a mejor director de primera pelÌcula en el Festival Internacional de Los Angeles.

Chomski estudiÛ en la New York Film Academy y recibiÛ una Beca Fulbright para acudir al American Film Institute, donde obtuvo su MFA en direcciÛn.

ALBERT LEON (Escritor) Nacido en Hato Rey, Puerto Rico, el primer acercamiento a Hollywood de Leon fue en 1999 cuando Oliver Stone viajÛ a Miami para rodar “Any Given Sunday.” Leon fue contratado para ser el asistente local de Al Pacino. El puesto era temporal, pero dos aÒos despuÈs, cuando Pacino buscaba otro asistente en Los Angeles, Leon fue de nuevo contratado para la posiciÛn. Se mudÛ a Los Angeles y trabajÛ para la leyenda del cine durante los siguientes cuatro aÒos. Durante ese tiempo, Leon escribiÛ varios guiones, que le otorgaron cierta atenciÛn. “Feel the Noise” es primer guiÛn de Leon que se produce. Actualmente trabaja en varios proyectos que est·n en diferentes fases de desarrollo.

SOFIA SONDERVAN (Productora) Sondervan es la vicepresidenta ejecutiva de cine de Sony BMG Music Entertainment, una divisiÛn que comenzÛ en agosto de 2005. Como parte de su misiÛn de desarrollar y producir pelÌculas que integren m·sica y actos musicales, recientemente adquiriÛ los derechos de “Ghosts of Cite Soleil,” producida por Wyclef Jean; asÌ como “East of Havana,” producida por Charlize Theron, las cuales fueron estrenadas anteriormente este aÒo.“Feel The Noise” es la primera pelÌcula producida por Sony BMG Film.

Sondervan est· actualmente desarrollando “Cadillac Records,” escrita por Darnell Martin (“Their Eyes Were Watching God”) que tambiÈn la dirigir· y “Twist of Fate” que ser· dirigida por Peter Howitt (Sliding Doors) y protagonizada por Katharine McPhee. Anteriormente fue la jefa de producciÛn de la Costa Este para la compaÒÌa de Ed Pressman y John Schmidt, donde produjo la seleccionada para el Festival de Cannes (Un Certain Regard) “The King,” protagonizada por Gael Garcia Bernal y William Hurt, asÌ como “Party Monster,” entre otras. Anteriormente, Sondervan fue la SVP de Adquisiciones y Producciones de POP.com, una empresa conjunta entre Dreamworks SKG e Imagine Entertainment. Antes llevÛ el mando del departamento de adquisiciones de Independent Pictures, un afiliado de New Line Cinema.

JENNIFER LOPEZ (Productora) Actriz, cantante, productora, empresaria… no hay nada que Jennifer Lopez no pueda hacer. Ha protagonizado una variedad del Èxitos de taquilla como MONSTER-IN-LAW y THE WEDDING PLANNER. Es una artista multi platino y acaba de lanzar su primer ·lbum en espaÒol, “Como Ama Una Mujer;” su sexto ·lbum hasta la fecha. El ·lbum est· actualmente en lo alto de la lista de Èxitos de Billboard Latin habiendo ganado el puesto n·mero 1 en su primera semana, mientras tambiÈn ocupa el destacado puesto n·mero 10 en las listas de los Top 200 ·lbumes de Billboard. Lopez tambiÈn ha hecho historia consiguiendo las mayores ventas de un ·lbum debut en espaÒol, incluÌdos artistas ingleses y latinos. Adem·s, “Como Ama Una Mujer” vendiÛ digitalmente en una semana m·s que cualquier otro estreno en espaÒol de la historia. El vÌdeo de su primer single “Que Hiciste” ha estado en la cuenta atr·s de MTV TRL durante las ·ltimas siete semanas.† Lopez anteriormente tuvo dos ·lbumes que debutaron en el n·mero 1 de las listas de Èxito de Billboard. Su ·lbum debut “On The 6” ha vendido m·s de 6.7 millones de copias en todo el mundo. En 2001, Lopez sacÛ su segundo ·lbum, “J.Lo”– que hasta ahora ha vendido m·s de 8 millones en todo el mundo; seguido del Èxito “Love Don’t Cost A Thing”. En 2001, Lopez hizo historia convirtiÈndose en la primera mujer en conseguir tener una pelÌcula n·mero uno y un ·lbum n·mero uno en la misma semana. “J.Lo” fue n·mero uno en la lista de Èxitos de Billboard Top 200 mientras THE WEDDING PLANNER fue la pelÌcula de mayores recaudaciones del paÌs esa semana. Recientemente se le ha visto en EL CANTANTE, un drama sobre la vida de la leyenda de la salsa Hector Lavoe que se estrenÛ en verano de 2007, asÌ como en BORDERTOWN, junto a Antonio Banderas. Lopez produjo ambas pelÌculsa a travÈs de su compaÒÌa de producciÛn, Nuyorican. Lopez recibiÛ primeramente gran aclamaciÛn por su trabajo en el rol protagonista en SELENA, que le otorgÛ una nominaciÛn a los Premios Golden Globe. Otros de sus crÈditos en cine son: AN UNFINISHED LIFE con Robert Redford y Morgan Freeman; OUT OF SIGHT con George Clooney; THE CELL; MAID IN MANHATTAN; MI FAMILIA, por la que recibiÛ una nominaciÛn a los Premios Independent Spirit; U-TURN de Oliver Stone; MONEY TRAIN junto a Woody Harrelson y Wesley Snipes; JACK de Francis Ford Coppola junto a Robin Williams; BLOOD AND WINE con Jack Nicholson; ANGEL EYES; ENOUGH; y ANACONDA. A travÈs de Nuyorican, Lopez tambiÈn hizo su incursiÛn como productora de televisiÛn con su show de baile para MTV llamado “Dance Life” asÌ como el drama de UPN, “South Beach.” En 2002, Lopez fue premiada ShoWest Female Star of the Year y en 2006, Lopez recibiÛ el Women in Film: Crystal Award. Adem·s, el Consejo Nacional de La Raza, el mayor grupo de apoyo latino de la naciÛn, la nombrÛ Artista del AÒo en los Premios American Latino Media Arts (ALMA) por TV y cine. El mismo aÒo, Jennifer ganÛ el Premio Kids’ Choice a Favorite New Music Artist y uno de muchos Premios ALMA a Artista Femenina del AÒo.

SIMON FIELDS (Productor) La innovadora y extensa carrera de Simon Fields, le ha convertido en uno de los productores m·s exitosos en varias ·reas del entretenimiento. Fields actualmente trabaja como socio productor de Jennifer Lopez en su compaÒÌa de producciÛn, Nuyorican Productions. La asociaciÛn empezÛ como resultado de su exitosa colaboraciÛn en “Shall We Dance,” que ingresÛ m·s de $150 millones.

A travÈs de Nuyorican, Fields est· actualmente produciendo una gran variedad de proyectos que incluyen la pelÌcula “Bordertown,” protagonizada por Jennifer Lopez y Antonio Banderas, sobre las mujeres de Juarez. M·s recientemente produjo “El Cantante,” la historia de Hector Lavoe, protagonizada por Lopez y Marc Anthony. Fields y Lopez est·n actualmente en producciÛn de una serie de competiciÛn de danza para MTV llamada Moves.

Nacido en Londres en 1955, Fields recibiÛ su educaciÛn en Stowe School. DespuÈs de la graduaciÛn, estuvo cuatro aÒos en Londres trabajando en el campo de la producciÛn de comerciales para televisiÛn antes de convertirse en manager de producciÛn de Moving Picture Company. En 1978, Fields pasÛ a ser productor de Jon Roseman Productions y se mudÛ a Los Angeles para llevar la divisiÛn americana. En 1981, uniÛ fuerzas con Steven Barron para formar Limelight, una compaÒÌa activa en la producciÛn de vÌdeos musicales, comerciales y pelÌculas. La compaÒÌa tambiÈn contaba con una divisiÛn para comerciales de televisiÛn ganadora de premios, que llevaba cuentas tan prestigiosas como Calvin Klein, Nike, y Budweiser. Como presidente y CEO, Fields supervisÛ el crecimiento de los ingresos anuales hasta $50,000,000, con operaciones en Los Angeles y Londres. Durante sus doce aÒos de trabajo en Limelight, Fields fue pionero en la industria del vÌdeo musical, donde se llevÛ muchos premios por crear vÌdeos rompedores para Michael Jackson, Madonna, Prince, y Peter Gabriel, entre otros muchos. Mientras estuvo en Limelight, Fields tambiÈn produjo la pelÌcula s·per Èxito, “Teenage Mutant Ninja Turtles.”

Fields m·s tarde se uniÛ al director Peter Chelsom para desarrollar y producir pelÌculas. Juntos, produjeron la comedia rom·ntica “Hear My Song;” la comedia “Funny Bones;” “The Mighty,” protagonizada por Sharon Stone; “Town and Country,” protagonizada por Warren Beatty, Diane Keaton, Goldie Hawn y Andie McDowell; y la exitosa pelÌcula de Miramax “Serendipity,” protagonizada por John Cusack y Kate Beckinsale.

Fields vive actualmente en Los Angeles con su mujer y sus dos hijos.

ANDREW LACK (Productor Ejecutivo) Como CEO de SONY BMG MUSIC ENTERTAINMENT desde agosto de 2004 hasta febrero de 2006, Mr. Lack supervisÛ todas las operaciones de la compaÒÌa de m·sica global, productor y vendedor lÌder de m·sica y vÌdeo pregrabado. De enero de 2003 a agosto de 2004 fue presidente y CEO de Sony Music Entertainment.

Anteriormente, fue presidente y COO de NBC desde junio de 2001. Durante su etapa en NBC supervisÛ entretenimiento, noticias, incluyendo MSNBC y CNBC, las estaciones de NBC, Ventas, y operaciones de emisiÛn.

De 1993 a 2001, Mr. Lack fue el presidente de NBC News, donde transformÛ la divisiÛn de Noticias en la organizaciÛn de noticias m·s vista. NBC Nightly News con Tom Brokaw, Meet the Press, y The Today Show, cada uno se convirtiÛ en n·mero 1 en su franja horaria, y la franquicia en hora de m·xima audiencia Dateline NBC se convirtiÛ en una parte importante para la estrategia de programaciÛn de NBC. Mr. Lack cuadruplicÛ el n·mero de programas Dateline producidos por NBC news, extendiÛ el Today show a tres horas, y fue responsable de la creaciÛn del streetside de The Today Show, definido como "una ventana al mundo" en el Rockefeller Center de New York.

Antes de ir a NBC, Mr. Lack pasÛ mucho tiempo de su carrera en televisiÛn en CBS News, donde creÛ y fue productor ejecutivo del exitoso magazine de noticias West 57th (1985-89). Fue productor ejecutivo senior de los reconocidos CBS Reports durante casi una dÈcada (1978-85), produciendo documentales aclamados como "People Like Us" (1982), "Teddy" con Roger Mudd, "The Boat People" (1979), "The Defense of the United States" (1981), y "Bittersweet Memories: A Vietnam Reunion" (1981). Se uniÛ a CBS News en 1976 y al aÒo siguiente se convirtiÛ en un productor destacado para 60 Minutes.

Las emisiones de Mr. Lack en CBS recibieron numerosos honores, incluyendo 16 Premios Emmy, 4 Premios Alfred I. DuPont-Columbia University Journalism, 5 Premios Ohio State, un Premio Oversees Press Club, 2 Premios Gravel de la AsociaciÛn Americana Bar, un Premio George Polk y un Premio Clarion.

Andrew Lack acudiÛ a la Sorbonne y obtuvo una Licenciatura en Bellas Artes de la Escuela de Bellas Artes de la Universidad de Boston en 1968. Vive en New York con su mujer, Betsy Kenny Lack, y sus hijos.

ZORAN POPOVIC (Director de FotografÌa) Natural de Serbia, Popovic se graduÛ por el American Film Institute y ha sido director de fotografÌa en numerosos vÌdeos musicales, comerciales y pelÌculas.

Los crÈditos en cine de Popovic son: “Sin,” protagonizada por Gary Oldman, Ving Rhames y Brian Cox; “Supermarket,” protagonizada por Jeff Goldblum y Darryl Hannah; “Expired,” protagonizada por Samantha Morton y Jason Patrick; “The Lost;” y “Trapped Ashes.”

La prÛxima pelÌcula de Popovic es “War, Inc,” protagonizada por John Cusack, Ben Kingsley, Marisa Tomei y Hillary Duff.

Popovic vive y trabaja actualmente en Los Angeles.

MONICA MONSERRATE (DiseÒadora de ProducciÛn) Los crÈditos de Monserrate como diseÒadora de producciÛn incluyen las pelÌculas “Thieves and Liars,” “El SueÒo del Regreso,” y “Ala de ColibrÌ,” asÌ como “Slayer” y “Stranded” para televisiÛn.

Monserrate fue la directora de arte de las pelÌculas “Yellow,” “Back in the Day,” “Fascination,” y “I, Witness,” asÌ como “Wuthering Heights” para TV.

BILL PANKOW, A.C.E. (Editor) ha disfrutado de una larga colaboraciÛn con el reconocido director Brian De Palma. Nacido y criado en New York City, el graduado de la Escuela de Cine de la Universidad de New York trabajÛ por primera vez con De Palma como editor asociado en su homenaje a Hitchcock de 1979, “Dressed to Kill,” y en su Èpica gangster de 1983 “Scarface.” Pankow pasÛ a ser editor en el thriller de 1984 “Body Double,” y continuÛ su afiliaciÛn con el cineasta en “The Untouchables” (1987), “Casualties of War” (1989), “Bonfire of the Vanities” (1990), “Carlito’s Way” (1993), “Snake Eyes” (1998),“Femme Fatale,” por la que recibiÛ el premio Seattle Film Critics Best Editing de 2002, y tambiÈn

“The Black Dahlia.” M·s recientemente ha completado “Redacted” para De Palma, que estar· en competiciÛn en varios festivales de cine en 2007 incluyendo Venice, Deauville, Toronto y New York.

Pankow tambiÈn ha trabajado con cineastas destacados como Abel Ferrara (“The Funeral” y “R’Xmas”), Robert Benton (“Still of the Night”) y Paul Schrader (“The Comfort of Strangers”). Otros de sus crÈditos en pelÌculas son: “The Tic Code,” “Parents,” “Naked in New York,” “The Money Train,” “Once in the Life,” para el director Laurence Fishburne; “Whispers in the Dark,” “The Guys” y pelÌculas para los aclamados cineastas de Hong Kong Tsui Hark (“ Double Team”) y Ringo Lam (“ Maximum Risk” ), asÌ como las pelÌculas del director Charles Stone III “ Paid in Full”, “ Drumline” y “ Mr. 3000.” Pankow completÛ

“Assault on Precinct 13” para el director Jean Francois Richet. Adem·s, el pasado otoÒo editÛ la pelÌcula de Bryan Cole “Day Zero,” que se estrenÛ en el Festival de Cine de Tribeca de 2007.

El trabajo en televisiÛn de Pankow incluye:†“Tales from the Dark Side,” la serie aclamada por la crÌtica de FOX “Tribeca,” “The Equalizer” y la miniserie de HBO “The Corner,” por la que Pankow recibiÛ una nominaciÛn a los Premios American Cinema Editors Eddie. En 2003 trabajÛ con el director John Leguizamo en la pelÌcula de HBO “Undefeated”.

BUDD CARR (Productor Ejecutivo Musical) es reconocido como uno de los talentos m·s importantes de la industria de la m·sica en el campo de la supervisiÛn musical. M·s conocido por su trabajo con el director ganador del Premio de la Academia Oliver Stone, ha aplicado su experiencia a cada pelÌcula de Stone desde “Salvador,” pasando por “JFK,” “Platoon,” “The Doors,” “Born on the Fourth of July,” “Natural Born Killers,” “Any Given Sunday,” hasta "World Trade Center." Ha supervisado m·s de 70 pelÌculas y ha trabajado con directores de renombre como James Cameron, Michael Mann, Frank Oz, Terry George, Norman Jewison y Mike Newell, entre otros muchos.

Carr comenzÛ su carrera profesional en la m·sica como agente en CMA, IFA y ICM, representando a The Cream, James Taylor, Bob Seger, Carole King, Crosby, Stills, Nash and Young, y Eric Clapton. LanzÛ su propia compaÒÌa de gestiÛn en 1980 y ha llevado las carreras de artistas multiplatino como Kansas, Captain & Tennille, Heatwave, Asia y Slaughter.

Carr fue consultor ejecutivo de m·sica para Peter Guber de Mandalay Pictures tanto en Sony Pictures como en Paramount Films, y supervisor senior de m·sica para cine para Windswept Pacific y EMI Music Publishing.

Carr contin·a siendo productor ejecutivo de m·sica y supervisor musical para pelÌculas, televisiÛn y bandas sonoras. Con su socia de supervisiÛn musical Nora Felder, su Picture Tunes Music produjo el ·lbum de la banda sonora de la pelÌcula aclamada por la crÌtica y nominada al Premio de la AcademiaÆ “Hotel Rwanda,” y este aÒo ellos han gestionado la m·sica de “The Guardian,” “Evan Almighty” y est·n en la actualidad en medio del lanzamiento de un innovador paquete de Itunes “3 pack” de la banda sonora de su nueva serie de Showtime “Californication,” protagonizada por David Duchovny.

Carr es miembro del Comite Ejecutivo de la divisiÛn de entretenimiento de City of Hope, es miembro del Board of Governors de la The National Academy of Recording Arts and Sciences, y es el fundador y copresidente del Grammy Foundation's Film Music Scoring Program.

NORA FELDER (Productora Ejecutiva Musical) comenzÛ como la supervisora musical de eventos de un club del East Village de New York donde coordinaba conciertos y fiestas de lanzamientos musicales de nuevas bandas y artistas.

M·s adelante, trabajando con el legendario productor musical Phil Ramone, Nora honrÛ su experiencia en A&R (Artistas y Repertorio) presupuestando y supervisando proyectos de ·lbumes para artistas desde Paul Simon y Sinead O’Connor hasta Les Paul y Iggy Pop.

La diversa experiencia de Felder en las variadas ·reas de la m·sica probÛ ser un aspecto de valor cuando se mudÛ a Los Angeles para seguir su carrera en m·sica para cine.

El currÌculum de Felder en cine y televisiÛn va desde su trabajo para muchas pelÌculas de Touchstone hasta su actual asociaciÛn con el legendario supervisor musical Budd Carr.

Juntos, han llevado la m·sica de pelÌculas como “Hotel Rwanda,” “The Guardian” y “Evan Almighty” y est·n en la actualidad en medio del lanzamiento de un innovador paquete de Itunes “3 pack” de la banda sonora de la nueva serie de Showtime “Californication,” protagonizada por David Duchovny.

ANDRES LEVIN (M·sica de) Nacido en Venezuela, Andres Levin estuvo en sus primeros aÒos rodeado de m·sica en el estudio de grabaciÛn de su padre. EmpezÛ sus propias aventuras musicales a la edad de ocho cuando empezÛ a tocar la guitarra. Nueve aÒos despuÈs, Andres recibiÛ una beca completa y dejÛ Caracas para estudiar en The Berklee School of Music en Boston. Un aÒo despuÈs, Andres se mudÛ a New York City para buscar m·s experiencia pr·ctica como m·sico, ingeniero de grabaciÛn y productor. En New York, su tiempo estaba dividido entre pr·cticas en los mejores estudios de NYC y sus estudios de composiciÛn en The Julliard School of Music y Brooklyn College.

DespuÈs de tan sÛlo unas semanas en pr·cticas, Andres fue contratado por el conocido productor Nile Rodgers como arreglista y programador de Synclavier. Con Nile, Andres colaborÛ como arreglista, programador y escritor de canciones para Diana Ross, INXS, The B-52’s y otros artistas de alto nivel. En 1991, Andres comenzÛ su propia compaÒÌa de producciÛn llamada 3^rd Ear Music. ContinuÛ escribiendo y produciendo canciones para artistas como Tina Turner, Chaka Khan, David Byrne, Mica Paris, Gladys Night y CC Peniston.

HabiÈndose establecido a sÌ mismo en la comunidad musical de R&B y Soul, Andres decidiÛ dedicar m·s atenciÛn a la m·sica de su cultura y empezÛ a trabajar m·s con artistas latinos. Inmediatamente acogido por la industria musical latina gracias a su sonido innovador, el trabajo de producciÛn de Levin r·pidamente resultÛ en un n·mero de ·lbumes nominados a los Grammy. Durante este tiempo, Andres escribiÛ y/o produjo discos aclamados por la crÌtica para artistas rockeros pioneros como Aterciopelados, Los Amigos Invisibles, El Gran Silencio, Ely Guerra (y m·s), y llevÛ a la fama a m·sicos brasileÒos como Caetano Veloso, Marisa Monte, Carlinhos Brown y Arto Lindsay.

El trabajo de Levin en estos dos gÈneros latinos le llevÛ a su contribuciÛn con canciones para los discos para recaudar dinero contra el SIDA de la Red Hot Organization, Red Hot + Latin and Red Hot + Rio. Las canciones producidas por Levin fueron tan bien recibidas que The Red Hot Organization le pidiÛ a Andres que tomara todo el control en la producciÛn de los dos prÛximos proyectos de ·lbum, Red Hot + Lisbon, y el ·lbum tributo a Fela Kuti Red Hot + Riot (“#2 Album Of The Year”- New York Times en la lista de los TOP -10 de TIME, Rolling Stone & m·s). A lo largo del curso de estos ·lbumes, Levin produjo canciones para K.D. Lang, D’Angelo, Macy Gray, Meshell N’Degocello, Baaba Maal, Kellis, Common, y Dead Prez.

Siguiendo a los discos de Red Hot, Levin decidiÛ desarrollar su propio escape artÌstico fundando su nueva compaÒÌa de producciÛn Fun Machine y constituyendo el grupo Yerba Buena del que es lÌder, escritor y productor. Con un abundante reconocimiento de la crÌtica a sus espaldas, el grupo nominado a los Grammy se ha convertido en el embajador del sonido moderno de FusiÛn Latina de New York City. Combinando Afro-Cuban, Afro-Beat, Hip-hop y muchos elementos m·s, Yerba ha desarrollado un estilo musical ·nico que la revista Interview llamÛ “…el sonido futuro de Afro-Latin Urban America” y el New York Times describe como “un sueÒo de musicÛlogo… un alegre, siempre evolucionado ritmo multicultural… un importante logro para la musica popular.”

El continuo Èxito tanto del trabajo de producciÛn de Levin como del de Yerba Buena ha hecho que el distintivo sonido de Andres llamara la atenciÛn en Hollywood y se ha empezado a dar cuenta de las posibilidades de una carrera siempre deseada como compositor de cine. Recientemente, Levin ha compuesto bandas sonoras para “El Cantante” (la biografÌa de la leyenda de la m·sica latina Hector Lavoe de Jennifer Lopez y Marc Anthony), y las prÛximas pelÌculas de Lions Gate “Borderland” y “Ladron que roba Ladron.” TambiÈn se han escuchado canciones recientes de Levin en los ·ltimos aÒos en shows de televisiÛn populares y en pelÌculas como “Dirty Dancing: Havana Nights,” “Cheaper By The Dozen,” “ER,” “Entourage,” “CSI Miami” y “Third Watch.” Simult·neamente, Levin ha continuado su colaboraciÛn con una amplia variedad de reconocidos artistas mundiales, produciendo y/o escribiendo discos recientes para Eliane Elias, Orishas, Ana Torroja, Paulina Rubio, Rob Thomas, y Miguel Bose.

Los crÈditos de KIM TAYLOR-COLEMAN (Casting) en pelÌculas incluyen: “Beauty Shop,” “Bringing Down the House,” “Ali,” “The Last Samurai,” “Inside Man,” Akeelah and the Bee,” “Take the Lead,” “Make it Happen,” y “First Sunday.”

Los crÈditos en televisiÛn de Taylor-Coleman incluyen el casting original para el show de Showtime “Sleeper Cell,” “Shark,” “Everybody Hates Chris,” y el show todavÌa sin tÌtulo de Kanye West para HBO.

Actualmente est· haciendo el casting de la prÛxima pelÌcula de Spike Lee, “Miracle at St. Anna.”

^{“ACADEMY AWARDS Ò ” y “OSCARÒ
” son las marcas registradas y marcas de servicio de la Academy of Motion
Picture Arts and Sciences.
“EMMYÆ”
es la marca registrada de la Academy of Television Arts and Sciences y de la
National Academy of Television Arts and Sciences.}

TriStar Pictures presents

A SONY BMG Film Production

in association with Nuyorican Productions

Omarion Grandberry

Zulay Henao

James McCaffrey

Kellita Smith

Malik Yoba

Melonie Diaz

Rosa Arredondo

Charles Duckworth

Meredith Ostrom

Cisco Reyes

With

Victor Rasuk

And

Giancarlo Esposito

Casting by

Kim Taylor-Coleman

Costume Design

Gladyris Silva

Production Design

Monica Monseratte

Edited by

Bill Pankow, A.C.E.

Suzy Elmiger, A.C.E.

Nico Sarudiansky

Director of Photography

Zoran Popovic

Music by

Andres Levin

Executive Music Producers

Budd Carr

Nora Felder

Executive Producer

Andrew Lack

Produced by

Jennifer Lopez and Simon Fields

Produced by

Sofia Sondervan

Written by

Albert Leon

Directed by

Alejandro Chomski

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